Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 90th Academy Awards.
Each year, here at Animation World Network, awards season marks the period on our calendar when we recognize and honor some of our industry’s most talented, dedicated and ground-breaking studios and artists responsible for the spectacular and breathtaking visuals created for feature films enjoyed around the world.
This year’s nominees for the Oscar for Best Visual Effects, culled from a formidable list of 20 contenders, and narrowed down to five following this year’s annual Academy VFX Bake-off, represent the best and most creative efforts of an industry that is constantly evolving, pushing the envelope with new techniques and technologies that refine and stretch the rich history of what has come before. That includes emotive performances from life-like apes of all sizes alongside galaxies of wonder, interstellar battles, photoreal digital doubles and the recreation of iconic characters from beloved classic films.
Leading up to the 90th Academy Awards on March 4, AWN’s VFXWorld Magazine will be taking a close look at each of the films and creative teams nominated, with in-depth interviews and behind-the-scenes peeks at some of the most outstanding and memorable cinematic imagery of 2017.
Here is a handy guide to AWN’s coverage of the five nominated films from the past year, to be updated with new content as we get closer to Oscar Sunday. Take a few minutes to see what you might have missed, and check back regularly for updates!
Blade Runner 2049
- Electric Dreams: John Nelson Talks ‘Blade Runner 2049’
- Double Negative Delivers the Joi of ‘Blade Runner 2049’
- WATCH: Rodeo FX Unveils VFX Breakdown for ‘Blade Runner 2049’
- Electric Dreams: Framestore’s Creative Journey to ‘Blade Runner 2049’
- Crossing the Uncanny Valley: MPC Crafts CG Rachael for ‘Blade Runner 2049’
- Communicating the Abstract: the User Interfaces of ‘Blade Runner 2049’
- ‘Blade Runner 2049,’ ‘Apes,’ ‘Despicable Me 3’ and ‘Thrones’ Top VES Noms
- WATCH: Rodeo FX Unveils VFX Breakdown for ‘Blade Runner 2049’
- Vicon Helps Framestore Create Crowds for ‘Blade Runner 2049’
- Get Ready for ‘Blade Runner 2049’ with New Anime Short from Shinichirō Watanabe
Guardians of the Galaxy Vol. 2
- Making it Better: Christopher Townsend Talks ‘Guardians of the Galaxy Vol. 2’
- Method Studios Returns to the Marvel Universe for ‘Guardians of the Galaxy Vol. 2’
- A Global Effort: It Takes More Than a Village to Build the World of ‘Guardians of the Galaxy Vol. 2’
- Weta Digital Confronts the Monstrous Ego of ‘Guardians of the Galaxy Vol. 2’
- WATCH: Weta’s Guy Williams Talks Marvel’s ‘Guardians of the Galaxy Vol. 2’ at FMX 2017
- The Third Floor Returns to its Groots on ‘Guardians of the Galaxy Vol. 2’
- Framestore Reunites with James Gunn on ‘Guardians of the Galaxy Vol. 2’
- ‘Guardians of the Galaxy Vol. 2,’ ‘Ghost in the Shell’ & ‘Pearl’ Set for FMX 2017
Kong: Skull Island
- On the Road to the 90th Oscars: The VFX of ‘Kong: Skull Island’
- ILM Tackles ‘Kong: Skull Island’
- Halon Takes On Previs, Postvis and Final VFX for ‘Kong: Skull Island’
Star Wars: The Last Jedi
- The 90th Oscars: The Visuals of ‘Star Wars: The Last Jedi’
- Reinventing a Galaxy Far, Far Away: Kevin Jenkins on Designing ‘The Last Jedi’
- Balancing Act: ILM Blends VFX Innovation with Franchise Consistency in ‘The Last Jedi’
- Fotokem Creates New World of Post For ‘The Last Jedi’
- Box Office: The Force Remains Strong With ‘Last Jedi’
- New Trailer, Poster for ‘The Last Jedi’
- ‘The Last Jedi’ Trailer Debuts During Monday Night Football
War for the Planet of the Apes
- Can Three Caesars Add Up to One More Oscar for Joe Letteri?
- Image Gallery: Weta Brings Emotion & Drama to CG for ‘War for the Planet of the Apes’
- Hail Caesar! Weta Delivers Digital Mastery for ‘War for the Planet of the Apes’
- ‘Blade Runner 2049,’ ‘Apes,’ ‘Despicable Me 3’ and ‘Thrones’ Top VES Noms
- Joe Letteri to Present ‘War for the Planet of the Apes’ at VIEW 2017