Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
As the main visual effects vendor, the company’s London studio creates a digital Trident nuclear sub and water effects for the BBC’s new conspiracy thriller series.
Effects supervisor Jon Reisch drew on his experience as a guitarist to develop ocean wave simulation controls, much like sliders on an equalizer, to hit director Enrico Casarosa’s mark for an expressive, lyrical Japanese woodblock look, in the studio’s upcoming animated feature.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
New video spotlights the water effects created for LAIKA head Travis Knight’s directorial debut shortlisted in this year's VFX Oscar race.
