Billed as ‘vengeance equals justice for both the Bat and the Cat,’ the Dark Knight – and Catwoman - return in the latest DC version of its famed Gotham City vigilante detective, with Robert Pattinson as the caped and rather moody crusader, Zoë Kravitz as Selina Kyle, and ‘Planet of the Apes’ franchise director Matt Reeves at the helm; film hits theaters March 4, 2022.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
Dean DeBlois’ ‘How to Train Your Dragon: The Hidden World,’ Jérémy Clapin’s ‘I Lost My Body,’ Sergio Pablos’ ‘Klaus,’ Chris Butler’s ‘Missing Link,’ and Josh Cooley’s ‘Toy Story 4’ receive nominations for Best Animated Feature.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
The veteran VFX supervisor discusses digital doubles, animating believable performances and handling on-set technical challenges while shooting Marvel’s smash super hero hit, ‘Captain America: Civil War.’
The 2016 VIEW Conference in Turin, Italy promises once again, as it does each year, an inspirational week spent watching the best work from animation, VFX and game industry greats.
VFX supervisor Russell Earl discusses the climactic airport battle complete with fully CG super heroes, environments and hundreds of digital assets on Marvel’s latest ‘Captain America’ franchise hit.
Russell Earl, a visual effects supervisor at Industrial Light & Magic, discusses the extensive previs and visual effects work done on Marvel’s 'Captain America: The Winter Soldier' and more as part of AWN’s series of exclusive video interviews from FMX 2014.
