Latest version of industry-leading compositing software allows changes to multiple shots at the same time, faster large-scale roto work, and updated timeline tools for faster shot approval and delivery.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
The studio created 40 VFX shots and 17 MGFX animations for the film that chronicles the 1970 Apollo launch and its catastrophic explosion, adding compelling visuals to the emotional story and rescue; now streaming on Netflix.
Director Veit Helmer shot live-action animals, then animated them talking using an innovative photorealistic VFX pipeline that included Maya, Nuke, Arnold, Unreal Engine and LiveFX, on his new feature about the fantastical adventures of a young monkey who escapes from a zoo to reunite with his family.
VFX Supervisor Dan Macarin dissects his team’s intricate work enhancing the motion of Deadpool’s mask to match Ryan Reynolds' emotions, comedic timing, and dialogue, along with digitally enhancing Wolverine’s corpse, on Marvel Studios’ blockbuster superhero adventure, now playing in theaters.
Leading visualization studio helps create balance between magical wonder, grounded, convincing behaviors, and funny antics for Disney’s holiday adventure film, contributing to several sequences including the final reindeer battle.
Studio delivers around 70 VFX shots for Netflix’s 90-minute historical docudrama delving into Einstein, his groundbreaking ideas, and his influence on development of the atomic bomb.
Running on AWS, the studio’s cloud-based platform services promise to streamline setup and configuration for VFX production with flexibility to scale up and down based on production needs.
Plug-In offers CoreWeave users faster and easier rendering within creative environments, streamlining Conductor’s use with the open-source 3D software.
The global visual effects studio partnered with Dharma Productions and DOP Manush Nandan to deliver over 1,300 shots, including set extensions, composites and motion graphics on numerous shots of phones, TVs, and iPad screens, and a CG car in a frantic chase sequence, on Director Karan Johar’s dramatic love story.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
Christopher Lennertz’s 3DCG heartfelt short about a grandfather’s journey to understand his grandson’s message of love and pride stars 2023 Tony Award winner Alex Newell, the first-ever non-binary actor to win a Tony, and multi-Grammy Award winner Philip Lawrence, with ‘Nimona’s ND Stevenson serving as executive producer.
Updates and enhancements include new baking tools, texturing content, and USD 23.05 and VFX Reference Platform 2023 support; team licensing is now available.
The VFX house delivers 700+ shots across all 8 episodes of Season 1 of Hulu’s drama mystery series based on Charmaine Wilkerson's debut novel about a family wrapped in a murder mystery.
Latest version includes USD updates and VFX Reference Platform 2023 support with new USD scene manipulation, muti-threaded live rendering and Optimized Geolib3-MT Runtime.
For Production VFX Supervisor David Van Dyke, Season 2 of Taika Waititi’s hit Max series saw fewer visual effects shots but more efficient virtual production that included use of a library of panoramic background location and sky shots as well as a re-configured LED Volume, known as the ‘J.’
The visual effects boutique delivers 170+ shots for Nahnatchka Khan’s horror-comedy, adding visceral impact with invisible effects including CG blood-covered knife blades and digital removal of blood-filled prosthetics; check out the breakdown reel – film now streaming on Prime Video.
Now available, Nuke 15.0 bolsters doubles training speeds in CopyCat tool; all product updates include compliance with VFX Reference Platform 2023; Katana 7.0 and Mari 7.0. coming soon.
Proxi.id integration now provides fast verification and licensing of Foundry’s Education Collective package, including Nuke, Katana, Mari and Modo – free to those enrolled at one of Foundry’s Education Partners.
Team delivers 60+ shots and digital effects intensifying the high-impact violence throughout the hostage thriller, from the bloody restaurant massacre to the killing spree that follows; now available on streaming platforms.
The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination.
Dive into the world of VFX with this creative contest using After Effects, Maya, and Nuke to incorporate CG creatures into live-action footage; 1st prize is an Insta360 X3 Camera; free to enter, the submission deadline is August 31, 2023.
Former visual effects student Noah Catan spent over a year working to improve upon the 2D ‘Klaus’ innovative 3D-styled lighting and shading in his development of Pantheon: Volumetric Lighting for 2D Animation software, created specifically for the production of SCAD Animation Studios’ CTA Emmy nominated animated short.
Visual effects supervisor Chris Browne has big plans for his sci-fi project originally conceived as a feature film and TV series – he created 200 digitally augmented shots with photoreal robots, virtual environments, and swarming drone bots for the short film proof-of-concept.
