Truly Cloud-Based VFX: ‘The Aeronauts’
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
VFX supervisor Alexandre Lafortune and his team create griffins, automatons and a mystical time piece at the very heart of Eli Roth’s magical adventure.
Quebec visual effects studio teams with VFX Supervisor Louis Morin to craft 245 shots for a total of 25 minutes of screen time, including all the alien shots seen in the movie.