Celsys’ graphics program for comics, illustration and animation hits its highest user base ever in July.
New film from famed director will feature live-action-based hybrid CGI/hand-drawn style; ‘Undone’ animation houses Minnow Mountain and Submarine to produce.
Still doing hand-drawn 2D animation more than 20 years after leaving MTV, Aaron Augenblick and his ‘rinky-dink’ Brooklyn studio have thrived by not producing animation for kids.
For the writer/director of Netflix’s charming new animated feature, filmmaking decisions often come down to where you hold your tongue when you swing the hammer.
Legendary animator, illustrator, producer, and author, who won an Academy Award in 1961 for his animated short, ‘Munro,’ passed away last Thursday at his home in Prague.
Breathtakingly beautiful new experimental short from Production I.G., one of world’s first hand-drawn 4K HDR projects, is now available for viewing.
With theatrical release on hold, four editions of beloved annual animation anthology, totaling 56 films, now available in special online presentations.
Emmy Award winner Tony Hale’s animated comedy about the misadventures of a curious, loveable chicken returns to Netflix on March 20.
Coming to digital and on-demand March 17, Jason Axinn’s award-winning feature stars William Shatner and Morena Baccarin.
Polish director Tomek Popakul’s Annie Award-nominated short film is a jagged, hypnotic Eastern European road trip viewed through a depressing but entrancing cartoon shaded daze.
Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.
Dutch filmmaker Floor Adams talks about her award-winning short film filled with the heartbreak and humor of living with Asperger’s syndrome.
Production designers Szymon Biernacki and Marcin Jakubowski helped create an innovative, distinctive 2D aesthetic for Sergio Pablos’ delightful new Christmas film, now showing on Netflix.
OLM’s 2017 Malaysian studio expansion provides a new pool of talented artists they can quickly and efficiently train on the digital paint tools used to produce their signature hand-drawn anime look.
Celsys’ all-in-one paint tool provides intuitive, customizable features that help transfer an artist’s touch to their graphic design, manga/comics, animation or other digital art.
Debuting today on Netflix, the ‘Despicable Me’ co-creator’s passion project, almost 10 years in the making, shows that with hard work, patience and a bit of new technology, 2D animated filmmaking is as compelling, and spellbinding, as ever.
Jared Stern's whimsical new animated series, launching November 8, addresses Dr. Seuss’ age-old questions… will you eat it in a box? Will you eat it with a fox?
In the first of a new ‘quick and dirty’ animation production spotlight series, Ritzy Animation’s Dan Edgley and Charlie Batho allow their team a mere 32 hours to produce something deliciously sinister.
Minnow Mountain director Craig Staggs and producer Steph Swope talk hand-drawn frame by frame animation and their unique contribution to Amazon Prime’s acclaimed new series.
The acclaimed animator celebrates his deal with the multi-platform media company, talks about his latest work, and tells a very scary horror story.
New system from studio behind ‘BLAME!’ and ‘GODZILLA: Planet of the Monsters’ supports diverse visual styles, including cel shading, which replicates the look of hand-drawn cel animation in 3D.
‘Celebrity Deathmatch’ creator Eric Fogel brings the off-beat tales of Hale’s gangly, cheerful and boldly enthusiastic young chicken to life in the new Netflix Original Series from DreamWorks Animation.
The fight against the First Order continues this fall as Disney Channel announces the Emmy-nominated series’ final season return.
Debuting today on Netflix, Joe Murray’s animated special introduces a new generation to his zany 1993 Nicktoon series’ O-Town characters, who return home after 20 years in space.
Filmmaker talks about his inspiration for Short Circuit program’s new VR experience and the differences between storytelling in virtual reality versus other media.
