Longtime industry veteran previously served as Vice President of Technology at Warner Bros, Managing Partner and Chief Technology Officer for Group 47, and Chief Engineer for DreamWorks Animation.
Former Disney animator and designer channels personal adversity into a quest to make animation instruction affordable to everyone.
Newly appointed Executive Vice President & General Manager to work on long-term company goals and new initiatives with a primary focus on production, sales and marketing.
Veteran technology exec to focus on scaling development efforts, cloud rendering strategy for advanced image rendering software Arnold.
Academy Award-nominated VFX veteran has a lengthy list of film and television credits to his name, including ‘McFarland, USA,’ ‘Alexander and the Terrible, Horrible, No Good, Very Bad Day,’ ‘X-Men Origins: Wolverine’ and ‘Live Free and Die Hard.’
Digital Domain, games, trailers, Activision, Bungie, 72andSunny, RESET, Destiny: The Taken King, Joseph Kosinski
HTC co-founder named chairman of the board of directors of parent company of the Academy Award-winning Hollywood digital production studio Digital Domain 3.0 Group.
VFX supervisor Marten Larsson discusses how Digital Domain turned arcade characters Donkey Kong, Centipede and PacMan into Earthly invaders in Columbia Pictures’ new action comedy.
A 30-year industry veteran, Welch has extensive experience in Visual Effects and Production management, and knows the entertainment business on a ground-up operational and financial basis.
In this two-part interview from FMX 2015, Digital Domain founder and former CEO Scott Ross discusses the major issues affecting today’s visual effects industry, including flawed economic models, lack of a trade association, studio wage collusion, and government subsidies.
VFX house Digital Domain is honored at the 2015 AICP Awards for Best Visual Effects for its work on the Destiny “Become Legend” commercial.
Academy Award-Winning digital production studio Digital Domain teams with immersive technology provider to form new joint venture aimed at creating cutting-edge interactive experiences.
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
Thirteen-year commercial production veteran to oversee operations, sales and marketing for Digital Domain’s Advertising and Games division.
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
Led by VFX supervisor Lou Pecora, Digital Domain delivers roughly 340 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb,’ including CG environments, animated Greek statues, and complex split-screens performances.
Cinematic piece was created in collaboration with agency 72andSunny and acclaimed feature film director Joseph Kosinski.
Digital Domain collaborates with the agency Mistress to create a stylized depiction of the historical action-adventure video game, ‘Assassin’s Creed Unity.’
Digital Domain 3.0 parent company Digital Domain Holdings Limited enters into a 10-year agreement with TNT Production to produce 3D virtual performance holograms for concerts, films and other media.
Executive Producer Joanna Capitano is elevated to the position of Vice President of Features.
Former Digital Domain CEO John Textor is granted a protective order against HologramUSA head Alki David.
A new class-action suit is filed in Washington courts contending that studios such as The Walt Disney Co. and DreamWorks Animation conspired to suppress wages via “non-poaching” agreements.
UPDATE: Textor makes a statement regarding the Florida lawsuit, which he claims is politically motivated. The state of Florida files a lawsuit against former executives of Digital Domain Media Group Inc., saying the visual effects company was essentially a Ponzi scheme that defrauded the state out of more than $80 million in job-creation grants.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
David&Goliath turns to Digital Domain to create a Matrix-worthy CG environment for the Super Bowl spot for Kia featuring Laurence Fishburne.
