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Tagged With: digi-doubles

TV VFX Headline News

WATCH: RISE FX’s ‘Babylon Berlin’ Season 3 VFX Breakdown Reel

By Dan Sarto | Wednesday, June 24, 2020 at 12:10pm

German visual effects studio releases new video highlighting their fantastic environment work recreating life in Berlin, circa 1929, in the political crime drama now playing on Netflix.

Feature Film VFX Headline News

RISE FX’s ‘Hobbs & Shaw’ Crazy Motorcycle Chase VFX Breakdown Reel

By Dan Sarto | Friday, May 29, 2020 at 12:48pm

German visual effects studio releases new video highlighting their work on Idris Elba’s full throttle daredevil motorcycle pursuit through London, in David Leitch and Universal Pictures’ hit action-adventure.

Commercials Headline News

Framestore Puts Pedal to the Metal for LEGO ‘Drive What You Love’ Spot

Oscar-winning creative studio builds full-throttle VFX for The LEGO Agency’s latest commercial, where a high-speed race brings imagination to life.

TV VFX VFXWorld

Nviz’s Gravity Flip Makes Yoga Much More Exhilarating in HBO’s ‘Avenue 5’

By Dan Sarto | Tuesday, May 26, 2020 at 1:51pm

VFX studio handles previs, visual effects, postvis, and graphics production for the inaugural season of Armando Iannucci’s space tourism comedy

AR ANIMATIONWorld

League of Legends Warrior Akali Delights Fans with ‘Live’ AR Appearance

With support from Cubic Motion’s Persona, Riot Games’ real-time animated ‘Rogue Assassin’ performs and answers questions at Pro League Regional Finals in Shanghai.

Marvel Studios VFXWorld

ILM Tackles Bruce Banner’s ‘Smart Hulk’ Convergence in ‘Avengers: Endgame’

The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.

Marvel Studios VFXWorld

Framestore Brings Smart Hulk to Life in Marvel’s ‘Avengers: Endgame’

Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.

Feature Film VFX VFXWorld

Sony Pictures Imageworks Takes A Bite Out of ‘The Meg’

By Dan Sarto | Friday, August 31, 2018 at 5:39pm

SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.

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