Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
VFX supervisors Dan DeLeeuw and Kelly Port discuss the challenges of capturing the nuanced performance of Josh Brolin as the philosophical antagonist in ‘Avengers: Infinity War.’
Global VFX studio celebrates 25 years with the opening of its ninth location.
Weta Digital and Digital Domain transform Josh Brolin’s motion capture performance into a believable and imposing CG adversary.
Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.
Complementing the 12-foot tall purple villain created by Weta Digital for action-packed fight sequences, Digital Domain employs proprietary tool Masquerade using new machine-learning algorithms to deliver emotive performances from the CG character.
VFX house contributes a range of seamless effects for ‘My Mutant Brain,’ director Spike Jonze’s stunning new short film starring Margaret Qualley for Kenzo's new perfume, KenzoWorld.
Thirty-year VFX industry veteran formerly worked at Rhythm & Hues, where he served as head of digital production for the past 10 years.
Longtime industry veteran previously served as Vice President of Technology at Warner Bros, Managing Partner and Chief Technology Officer for Group 47, and Chief Engineer for DreamWorks Animation.
A 30-year industry veteran, Welch has extensive experience in Visual Effects and Production management, and knows the entertainment business on a ground-up operational and financial basis.
Led by VFX supervisor Lou Pecora, Digital Domain delivers roughly 340 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb,’ including CG environments, animated Greek statues, and complex split-screens performances.
