Pixar film’s director, producer and stars will be on hand for a presentation from Councilmember Gil Cedillo.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
The first solo effort from Cartoon Saloon director Nora Twomey makes Oscar waves.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
A team of graduating students from MoPA garner accolades for hyper-realistic animated short with a noir twist.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
Imbuing the Oscar-nominated movie with a sense of nostalgia, animators and VFX artists drew on cartoon tradition while experimenting and pushing the cutting edge of technology to get the right look.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Oscar-nominated stop-motion animated short employs a total of 20 sets, 14 puppets, and roughly 1,000 props and costumes, all constructed within a three-month timespan.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
All five nominees for best visual effects for the past 10 years have used the company’s Quadro GPUs to create their work.
Artist behind the character designs for every Pixar feature from ‘Monsters, Inc.’ through the forthcoming ‘Toy Story 4’ steps into a new role for the studio’s 14th Oscar-nominated animated short film.
As the sole visual effects vendor on the final instalment of the prequel trilogy based on the 1968 science fiction classic ‘Planet of the Apes,’ Weta Digital is in the midst of a creative and technological renaissance.
Animated musical adventure to debut on Netflix and in theaters in China in 2020.
Dorota Kobiela and Hugh Welchman’s Oscar-nominated feature -- all 65,000 oil painted frames -- demonstrates the masochistic insanity that defines what is most precious, endearing and vital about animation.
2018 edition set for Nov. 19-25, with submissions open through June 24.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Animated Short Film at the 90th Academy Awards.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Animated Feature at the 90th Academy Awards.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 90th Academy Awards.
Weta VFX supervisor Martin Hill details the challenges of crafting a species of benevolent creatures and their world for the first eight minutes of director Luc Besson’s Academy-shortlisted sci-fi fantasy adventure.
Creative teams from 10 Oscar hopefuls present their contributions at the Academy’s annual Visual Effects Bake-off held on Saturday, January 6 at the Samuel Goldwyn Theater in Beverly Hills, CA.
Members of the Music Branch to vote for up to five achievements; the five achievements receiving the highest number of votes will become the nominations for final voting for the award.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23rd.
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
