Known for VFX work on major feature films Pirates of the ‘Caribbean: Dead Men Tell No Tales,’ ‘King Arthur: Legend of the Sword,’ ‘Ben Hur’ and ‘Ghostbusters,’ 3D conversion, VFX and VR studio Legend 3D, Inc. has announced additions to its executive leadership team, as a part of the digital media company’s work to expand its global footprint.
Legend 3D has been instrumental in creating visual spectacles for major blockbuster films such as Pirates of the Caribbean: Dead Men Tell No Tales, King Arthur: Legend of the Sword, Ben Hur and Ghostbusters. Under the leadership of CEO Aidan Foley, who joined the company this past December, Legend has added eight experienced digital entertainment executives to its team:
Richard Baker, Chief Creative Officer -- With some 15 years of VFX experience, the former creative director and senior stereographer for Prime Focus World’s Stereo Conversion division, Baker brings to Legend a wealth of 3D conversion expertise, having supervised such films as Beauty and the Beast, World War Z, Harry Potter and the Deathly Hallows and Alfonso Cuaron’s Gravity, which earned him the International 3D & Advanced Imaging Society Creative Arts Award for “Best 2D to 3D Conversion.”
Barry Stagg, Chief Marketing Officer -- Stagg brings more than two decades of marketing communications experience to the Legend team, having handled marketing communications for such studios as Warner Bros./Lorimar Television, Fox Family Worldwide, Ascent Media, 4Kids Entertainment and Norman Lear’s Tandem/TAT/Embassy Communications. He has also led efforts for several web-based businesses including the former Homestore.com (now Move.com).
Scott Willman, named chief information officer, has played pivotal roles for both major film studios and tech companies, with experience ranging from oversight of a department of 50 artists, production staff, and software engineers and completely redesigning and building a 3D film conversion pipeline at two major VFX studios. He has personally supervised 3D output on 15 major theatrical films and has served as the sole 3D supervisor on films for 20th Century Fox, Lionsgate and New Regency Enterprises.
In 2013, Scott founded Dimension X with production partner (and wife) Heather Willman, to provide a full range of 3D services directly to studio production teams and visual effects companies including full creative supervision, production management and editorial support. Under his direction, the company has developed extensive automation and proprietary techniques for post-processing natively captured stereo images. This process can be seen on such films as The Martian, Exodus: Gods and Kings, Dawn of the Planet of the Apes, and the X-Men franchise.
As Legend’s new vice president, production, Crys Forsyth-Smith brings more than 20 years’ experience in all aspects of production, including visual effects, budgeting, scheduling and on-set work, crewing, pipelines and stereo deliverables, including serving as vice president, production for Method Studios, as VFX producer at Sony Pictures Imageworks and as production manager for several companies including Digital Domain.
Prasanna Kodipadi, Vice President, International Operations -- A respected and experienced veteran of motion picture production services, Kodipadi joins Legend from Stereo D, where, over the past five years, he served as creative outsource supervisor, as well as a compositor. In addition to helping Legend expand its presence beyond North America to support an increasing list of projects, he will also be managing all third-party vendors the company engages.
With 15 years’ experience in on-set production, post-production, animation, visual effects and virtual reality, Chris McClintock, Senior Producer has worked on blockbuster hits such as Marvel’s Captain America: The Winter Soldier and Guardians of the Galaxy. Leveraging an understanding of emerging film technologies, he helped build stereoscopic workflows at companies including Stereo D, and as a producer at Prime Focus World, where he led the high-quality stereo conversion of Men in Black 3, Green Lantern and Star Wars Episode I: The Phantom Menace. He also contributed to the studio’s visual effects production work on Avatar.
Lisa Sepp-Wilson joins the Legend family as Head of VFX Production -- Toronto. Her extensive VFX background includes over 20 years of on-set production, post production and animation in both Vancouver and Toronto, two Gemini and Leo Award wins and several Emmy and Visual Effects Society-Award nominations. She served as VFX Producer and CFO at Anthem Visual Effects, the Vancouver-based agency she co-founded, as well as working as VFX producer and executive producer for Encore in both their Vancouver and Toronto studios, on such TV series as Under the Dome, Homeland, Newsroom and Orange is the New Black.
Simon Kern, Stereo Supervisor brings a decade of VFX professional experience to the Legend team, developing new tools, pipelines, and techniques while working directly with clients to bring their vision to life on such films as Guillermo del Toro’s Pacific Rim, Scott Waugh’s Need for Speed, and Bryan Singer’s X-Men: Days of Future Past, which won the Advanced Imaging Society’s “3D Scene of the Year.” Kern has trained artists in the skills of stereo compositing and paint, aided in Real-Time Depth Grading development, and introduced filmmakers to the art of stereoscopic 3D while working with Marvel, DreamWorks, Warner Bros., Alcon and 20th Century Fox.
All new hires (except for Ms. Sepp-Wilson) will be based at the new Legend Studio Offices on the Columbia Square campus in Hollywood. The company moved in to the 27,000 square-foot, state-of-the art, award-winning LEED building this past November.
“These key roles reflect Legend’s ongoing commitment to provide clients with the most experienced and accomplished professionals in our business,” said Foley. “As an industry leader, Legend takes serious our obligation to engage world class talent in all facets of our operationsWe’re very pleased to welcome these respected and skilled new members to the Legend family.”
Source: Legend 3D
