Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Stacey Steers talks about her film 'Phantom Canyon' (2006)
Directors Benjamin Renner and Patrick Imbert adapt graphic novel for the big screen in a set of charming and gentle 2D-animated fables aimed at audiences of all ages.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their lives. Today's guest is Codename: Kids Next Door creator, Tom (Mr.) Warburton.
Disney legend teams with basketball superstar Kobe Bryant and celebrated composer John Williams to deliver Oscar hopeful.
Esteban Bravo and Beth David’s Oscar contender ‘In A Heartbeat’ captivates audiences hungry for increased LGBT+ representation in animation.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. Today, we kick off 2018 with Gina Kamenstky and her experimental hockey film, 'Spank Shot' (2017)
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
In which Chris Robinson asks animators profound and inane questions that have little to do with animation. Today's guest is Polish animator, Marta Pajek (Impossible Figures and Other Stories II).
In which Chris Robinson asks animators profound and inane questions that have little to do with animation. Today's guest is the pinscreen animation maestro, Jacques Drouin.
VFX supervisor Stuart Lashley oversees 200 shots for the third instalment of the God of Thunder franchise, including wormholes, fiery crashes and attacks, high-rise apartment views, and the vast wasteland of Skakaar.
GKIDS releases Goya-winning Spanish post-apocalyptic fairytale in the U.S.
In which Chris Robinson asks animators profound and inane questions that have little to do with animation. Today's guest is U.S. indie/experimental animator, Gina Kamentsky.
19th annual ASOS featuring 16 animated short films from around the world now playing in select theaters.
‘Coco’ writer and co-director Adrian Molina and co-writer Matthew Aldrich detail the crafting of the story and screenplay for Pixar’s Día de los Muertos-themed musical extravaganza directed by Lee Unkrich.
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.
In the last Brainbox of 2017, Daniel Sterlin-Altman discusses the making of his 2016 student film, 'Hi, It's Your Mother.'
Oscar-nominated director of Blue Sky Studios and 20th Century Fox’s ‘Ice Age’ and ‘Rio” franchises details the six-year journey adapting the beloved story of the giant bull who prefers flowers to fighting into a full-length feature film.
Heard any good films lately?
Each week Chris Robinson asks animators profoundly inane questions that have absolutely nothing to do with animation. Today's guest is the Norwegian stop-motion master, Piotr Sapegin ("One Day a Man Bought a House", "Mons the Cat").
Seattle-based director and musician takes audiences on a tour of America in his hand-made cut-paper animated feature backed by a killer soundtrack.
Estonian director’s 2D-animated short film making waves on the festival circuit is a lightly absurdist drama that showcases the delightfully dry humor characteristic of her homeland.
Supervising Animatronics Designer with film credits including ‘Prometheus,’ and Star Wars movies ‘Rogue One,’ ‘The Force Awakens,’ ‘Solo,’ and director Rian Johnson’s ‘Star Wars: The Last Jedi.’
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Mike Maryniuk talks Blotto 649.
Led by VFX supervisor Dennis Berardi, Toronto-based VFX house Mr. X helps director Guillermo del Toro craft his cinematic vision.
Schoolyard bully learns that giving is more rewarding than taking in Pixar’s heartwarming Academy shortlisted animated short film.
