Category: Commercials

a.k.a. Pizazz has rapped on three spots for a new campaign for Sanatogen vitamins. All three spots state that we are all aware by now that a healthy diet is the best way to stay fit, but a vitamin supplement is a reassuring way of maintaining the healthy balance, "Just To Make Sure." "Baby Monitor," "Passport" and "Alarm" were done in a 2D painting style. "Baby Monitor" shows a mother, in spite of the presence of her monitor going to check her child. "Passport" shows a family group going on holiday and the mother constantly checking in her handbag for the passports.

Digital animation company Mixin Pixls has birthed a new spot for Verizon Wireless entitled "Cellular Division." Directed by See Spot Run's Lawrence V. O'Flahvan, the spot begins with a view through a microscope studying a phone-looking cell. The "cell" divides into two phones, then splits into five, explaining that with Verizon's Family Share Plan one pool of minutes can be divided between up to five phones. "Creating the animated sequence was an exciting creative challenge," said Mixin Pixls CG animation director Harri Paakkonen.

Editing Concepts Jesse Reisner combined live-action and graphics for two new 30-second spots for a new Kids Footlocker campaign. In "Super Hero," star Captain Velocity is going through his morning routine, until his emergency phone rings and he zooms off leaving a trail of smoke behind. In "Street Ball," city teens gather for an intense game of basketball, while a series of graphics pop-up to note the difference between the game as they play it and how basketball is played in a gym. "We knew going in that the graphics would play a huge role in the spot," said Reisner.

Santa Monica-based R!OT, a digital production studio, recently finished the visual effects for a commercial promoting Tennessee's Vanderbilt-Ingram Cancer Center. Digital artist Verdi Sevenhuysen helped turn Malibu Beach into the shores of Omaha Beach during D-Day. Sevenhuysen used Discreet Inferno system to alter the live-action footage to match the European topography. He also placed a series of steel tank traps onto the sandy shore. "It was a very close collaboration between director Karsten and I," said Sevenhuysen. "They didn't have the budget to shoot in France, but it didn't matter.

Director Tony Caio and DMA Animation have created a campaign for Delta Airlines' new entertainment programming. The in-air series is a collection of animated shorts featuring a 3D microphone that introduces each video channel. Each short is a comic spoof of movie genres from comedy to romance. Landor Associates, Delta's branding agency, worked in collaboration with DMA and Caio to create the WorldFest winning shorts.

Sideshow Motion Design has created 81 20-second promotional spots for NBC and Coca Cola to highlight the Summer Olympic Games. The ads utilize still photos of over 40 athletes in a moving fashion evocative of gold photo albums. Jie Shen designed and directed the commercials. "Our client, NBC, saw the importance of collaborating with Coke and wanted to do something with still photography and bring it life with an emotional wallop," said Sideshow president Scott Mantel. "This campaign shows Jies talents off beautifully.

Soho, U.K.-based The Hive, a 3D animation company, has completed a series of idents to promote the launch of Flextech Interactives brand-new digital TV cable channel, SceneOne. Launched on July 5, 2000, SceneOne is the first-ever television channel to be developed from an Internet site, and focuses on music, film and entertainment. The Hive created three idents "The Club Scene," "The Film Scene" and "The Gig Scene" - to reflect the hip style of SceneOnes three main weekly review programs.

New York-based animation and design house, So! much, has created a 3D animated 30-second spot for MCI Worldcom and Blockbuster Video. The "FreeFlix Follies" campaign highlights the free movie bonuses of signing up for MCI with a send-up of vaudeville shows. The commercial reunites Abbott and Costello-like characters Seymour the Movie Ticket and Answer the Telephone, which were created for a previous spot by So! much three years ago. "Were really committed to marrying thoughtful, passionate design work with top-quality CG animation," says Jennifer Yeh, executive producer at So! much.

The first commercial for the Center for Digital Imaging and Sound (CDIS) includes a clip from VANCOUVER UNDER ATTACK, created by CDIS Visual Effects and Digital Animation (VEDA) Program graduate Sean McQuarrie. The excerpt shows a monstrous alien space craft hovering above Vancouver Science World before unleashing a laser beam that blows up the centre. "It involved two days of filming in DVC Pro and miniDV formats," said McQuarrie. "To get the mix right, I used Maya, Maya Live and the Discreet Station for building up 20 layers of visual effects in total.

New York-based Charlex was brought in by British Petroleum to give a face-lift to their image. "The challenge was to make an interesting commercial using only the British Petroleum logo," said Charlex founder and spot director Alex Weil. "It was an idea originated by BP themselves, but nobody has been able to make it sufficiently interesting until we got hold of it. As [creative director] David Fowler put it, The idea went from the trash can to Charlex. Its a good thing too.

The New York-based design and production studio hey! has wrapped up 22 thirty-second animations for Arista Records. Presented at Bertelsmann Music Groups marketing conference, hey! created musical sequences highlighting Arista artists Whitney Houston, Santana, Run DMC, Toni Braxton, Carly Simon, Aretha Franklin and many more. "Essentially, we have made stills of the artists come to life by creating 2D animations in inferno*.

Class-Key Chew-Po director Voltaire has wrapped up his first national spot for Kelloggs PopTarts Pastry Swirls. The spot features cherries parading in a chorus line then diving into a pool of cream cheese. Innovative Business Communications provided the CGI cream cheese so that the fluid nature would be more believable. The commercial was produced for Chicago-based ad agency Leo Burnett.