La Coca animée: comprendre la petite feuille
Un article de Christian Coppin qui a animdes ateliers de cina d'animation avec des enfants, des adolescents et des adultes dans des contextes li la consommation de drogue, la fois en Bolivie et en Europe. Ce projet a menpar l'Atelier Graphoui, studio belge d'animation qui travaille sur des projets sociaux-culturels.
Dirdy Birdy
The final part of a three part series that describes the steps involved in different specialties of visual effects production, the specific skills required for each specialty, as well as what the studios are looking for in a portfolio and demo reel.
IMAGINA '98 Award Winners
Geri's Game. © Pixar.IMAGINA Grand Prize: Geri's Game by Jan Pinkava, Pixar Animation Studios. SCAM 3D Prize: L'Occaze de l'Espace by Hughes Martin, AMV Production. SCAM 3D Prize for Young Talent: Migrations by Constantin Chamski, Sup Info Com. SACD Prize: Ombre Portee by Olivier Cauwet & Christophe Ferrier, Sup Info Com. Creagina Prize: Vache Folle by Samuel Tourneux, Sup Info Com. CST Soundtrack (Mention): U-Man by Julien Dajez, Venus Production and Mikros Image. Media Prize for Best European Creation: Relief De l'Invisible by Pierre Oscar Levy &...
An Animation Adventure in the Limits of the Amazon Rainforest
Wilson Lazaretti discusses Nleo de Cinema de Animao de Campinas' experiences teaching animation to Amazon Rainforest natives.
Simulation Animation: The Tools
We asked three companies, Magic Lantern Limited, Transom Technologies and Liquid Light Studios, to describe how they are utilizing animation in unexpected places and for unexpected purposes.
Paper: There's More To It Than You Think
When it comes to defining what is and is not a 'true' animation paper, opinion varies. I might add that this variety of opinion ...
Editor's Notebook
Remembering and depicting the past...
Mae Questel:A Reminiscence, History and Perspective
Following her recent death, Andrew Lederer discusses the legendary Mae Questel, the voice of Betty Boop.
The Enchanted World of Rankin/Bass
Fan-turned-writer Rick Goldschmidt might have been more accurate in titling it...
Maurice Noble: Animation's
Karl Cohen interviews the Disney legend, Maurice Noble, and discusses his career, working with Chuck Jones and the animation industry today.
Animating the Web: RealFlash
RealFlash technology can seem daunting. However, the following two articles, "RealFlash: The First Step" and "How I Learned to Stop Worrying and Love RealFlash," will hopefully, make it less intimidating.
Toy Fair: A Flood of Animated Toys
Over 40,000 attendees stopped by the Big Apple to get a peak at approximately 5,000 new toys. Here is a rundown...
T.R.A.N.S.I.T.: A Delicious Sense of Understanding and Journey
Emru Townsend reviews Piet Kroon's new film, T.R.A.N.S.I.T., a fascinatingly complex journey of imagery and story.
FernGully 2: The Magical Rescue - Getting the Money on the Screen
Wild Brain's Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.
The World Animation Celebration: Pasadena's Festival
The World Animation Celebration offered a number of events ranging from screenings to technology seminars to employment expos. Animation World sent a bevy of specialists to report.
Animating in the Spotlight: Creating Prime Time
Film Roman's Mike Wolf outlines the pre-production process of prime time animation and focuses on the features that make prime time special.
Creating Music and Imagery Together
Independent German filmmaker Kirsten Winter describes her unique pre-production process of working with composer Elena Kats-Chernin, while developing her visuals.
'FernGully 2: The Magical Rescue '- Getting the Money on the Screen
Wild Brains Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.
FernGully2: The Magical Rescue Storyboards
"The storyboard is the visual blueprint of the film. Whatever strengths or weakness appear in the storyboard will almost certainly show up in the finished film. If you want to see it in the film, it must be in the boards, every pose, every expression, everything."
- Dave Marshall and Phil Robinson, Wild Brain.
Editor's note: As a supplement to Dave Marshall and Phil Robinson's article about the pre-production process of creating FernGully2: The Magical Rescue, Animation World Magazine is pleased to offer this visual supplement of storyboard panels from the film. All art on this...
And I Get Paid!?!: The Life of a Voice Actor
March 1998,In the last few years, animation and voice-over have become a source of great interest to folks, but for quite some time it was a niche...
RealFlash: The First Step
South Park characters have been brought to the Web by Smashing Ideas Animation, using RealFlash. © Comedy Central.Let's say you've got a great piece of animation that you want to post on your web site. You advertise. You get your audience excited. They go to your site, and then...they wait. As incredible a tool as the Web is, its "instant communication" feature is obliterated if your audience has to wait ten minutes to download a file. More often than not, a viewer will become frustrated and leave your site before seeing the piece you've worked so hard to create.
Enter Streaming Media When...
Cruddy Sketches and a Red Pen: Pre-Production on The Curse of Monkey Island at LucasArts
March 1998, In the world of interactive game makers, where companies disappear...
How I Learned to Stop Worrying and Love RealFlash
Using Macromedia's Flash 2, POP! and Spümco partnered to create some of the most intriguing animations the web has seen to date. © Spümco.Last October we received a call from RealNetworks asking if we'd be interested in creating content for the upcoming launch of their new streaming media solution, RealSystem 5.0. Specifically, RealNetworks was searching for a company to create animation sequences in RealFlash streaming animation based on Macromedia's Flash technology, synchronized with RealAudio. We were in the process of wrapping up a long project for the Microsoft Network (MSN) that was...
Maurice Noble: Animation's 'Old Rebel'
Karl Cohen interviews the Disney legend, Maurice Noble, and discusses his career, working with Chuck Jones and the animation industry today.
The New Animation Technology Exposition and Conference Viewed and Reviewed
Pixar technology chief and executive vice president Ed Catmull gave an early morning keynote address at the New Animation Technology Expo. Photo courtesy of Pixar.Once again the World Animation Celebration has come and gone, transforming the Pasadena Civic center into an extremely happy (but not "The Happiest") place on Earth. For many Los Angeles-based industry professionals the Celebration is like an animator's New Years, a time to reflect and take stock of progress and change, as well as set resolutions and goals for the next Celebration. One indispensable element of the...
