Ariana Grande, John Legend to Perform Title Track for Disney’s Live-Action ‘Beauty and the Beast’
New images, poster and a TV spot support upcoming live-action remake of the classic 1991 animated feature.
New images, poster and a TV spot support upcoming live-action remake of the classic 1991 animated feature.
You can't always get what you want, but if you try sometimes, you just might find, you get what you need.
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
Post production veteran returns to Deluxe as SVP of Sales at Encore New York to support the growing demand for the company’s TV post services.
V-Ray rendering technology integrated into Adobe’s Project Felix, creating new 3D compositing application for graphic designers.
Acclaimed creature effects studio currently in production on special effects for ‘Underworld: Blood Wars,’ ‘ Legion,’ ‘The Expanse’ and ‘Prison Break.’
With nearly a decade of experience in motion graphics and design, spanning television, advertising and broadcast promos, Moseley joins Reel FX from Starz Entertainment.
Twenty-two creative jurors representing 10 countries to judge entries from around the world; deadline for entries is January 31, 2017.
Pixar’s ‘Finding Dory,’ LAIKA’s ‘Kubo and the Two Strings,’ and Disney’s ‘Moana’ and ‘Zootropolis’ (‘Zootopia’) receive nominations for best animated feature; British short animation nominees are ‘The Alan Dimension,’ ‘A Love Story’ and ‘Tough.’
‘Rogue One: A Star Wars Story’ receives most feature film nominations; ‘Kubo and the Two Strings’ is top animated film contender; ‘Game of Thrones’ leads the broadcast field and scores most nominations overall.
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
GAGA Corporation to distribute LAIKA’s Golden Globe-nominated animated film in Japanese theaters in 2017.
Overview of upcoming Disney, Lucasfilm, Marvel and Pixar release dates and synopses includes new film images and logos.
Heading into Awards Season, the director of Disney’s 2016 photoreal live-action/CG hybrid action-adventure hit reflects on his initial skepticism and concerns adapting an animated feature film classic.
Blue Sky, Chaos Group, ILM, ImageMovers, Solid Angle, Sony Pictures Imageworks, Walt Disney Animation Studios, and more to be recognized at the Academy’s annual Scientific and Technical Awards Presentation on Saturday, February 11.
LAIKA’s ‘Kubo and the Two Strings’ and Disney’s ‘Moana’ and ‘Zootopia’ receive nominations for best edited animated feature film.
Deadline for submissions for Production Sessions is February 6, 2017; entries for the Computer Animation Festival close March 21, 2017.
Visual chronicle of the new worlds and characters created by the Lucasfilm art department for ‘Rogue One: A Star Wars Story’ includes hundreds of concept paintings, sketches, storyboards, matte paintings, and character, costume and vehicle designs.
Interactive cloud sculpting and rendering plugin for Autodesk Maya supports rendering in modern render tools including Arnold and RenderMan.
Trailer for the 22nd edition of Europe’s most influential computer graphics conference created by third-year Animationsinstitut students at the Filmakademie Baden-Wuerttemberg.
Visual Effects Society announces new print and digital publication as the leading global voice of VFX to herald its 20th anniversary; inaugural issue slated for April 2017.
‘Deadpool,’ ‘Star Trek Beyond’ and ‘Suicide Squad’ among seven films remaining in competition in the Makeup and Hairstyling category for the 89th Academy Awards.
Latest version boasts faster workflows for large development teams and a second streaming system to handle all texture content efficiently.