VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
‘Room Modes Calculator’ and ‘We Are Cubed’ among 48 finalists for Google’s 2015 Project Tango developer contest.
Former VP of Production at Sony Pictures Imageworks takes the helm of FuseFX’s Vancouver operation, which is currently producing visual effects for shows for FOX, A&E, Syfy and CBS.
Fully-integrated ray-traced rendering now available for The Foundry's industry-standard compositing tool.
Stars and filmmakers of upcoming Disney, Marvel Studios and Lucasfilm movies featured at Saturday’s live-action event.
VIEW Award 2015 widens its scope with new themes, new subjects and new contestants.
A 30-year industry veteran, Welch has extensive experience in Visual Effects and Production management, and knows the entertainment business on a ground-up operational and financial basis.
Universal's N.W.A. biopic ‘Straight Outta Compton’ leads the pack at the North American box office with a $60.2 million debut, helping to push Universal past the $2 billion mark domestically.
Beijing’s BaseFX founder and CEO Chris Bremble discusses the process and challenges of producing animation and visual effects for the most successful feature film in Chinese history.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
Thirteen students representing 11 different U.S. film schools are selected as nominees for the 2015 ASC Gordon Willis Student Heritage Awards, with the winners will be revealed on September 26.
Vision Summit will feature talks and panels on Virtual and Augmented Reality hardware and software development such as Oculus, Qualcomm Connected Experiences Inc., Sony Computer Entertainment and Valve.
Nominees in the Animated Series category include Frederator’s ‘Bee and Puppycat,’ PBS digital studios series ‘Blank on Blank,’ webcomic ‘Cyanide & Happiness,’ Rooster Teeth’s ‘RWBY’ and YouTube animator ‘sWooZie.’
Teapots, Snickers and Virtual Reality are definitely ruling this year’s show.
While there's no Vanilla Ice or Ron Jeremy this year, lots of VR and related goodies about.
The Colonie welcomes assistant editors Emily Hayes and Stephania Dulowski to its creative team, moves Ben Pokorny to the company’s VFX/finishing department.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
MPC NY teams with Arnold Worldwide and RESET’s Johnny Hardstaff to create a new spot for New Balance’s “Always in Beta” global brand campaign.
With MARI 3, 3D paint artists can iterate faster, manage complexity better and produce higher quality results.
Trollbäck + Company adds Chace Hartman as Creative Director and Art Director Tom Edwards to their team.
Shotgun 6.3 includes a new set of features and updates that will make it easier for teams to review, share and provide feedback on creative projects.
FuseFX artists are nominated for Outstanding Visual Effects for the Marvel's Agents Of S.H.I.E.L.D. episode “The Dirty Half Dozen” and for Outstanding Special Visual Effects In A Supporting Role for the American Horror Story episode “Edward Mordrake, Part 2.”
Vicon debuts Vicon Vantage and Control app, as well as enhancements to Cara facial mo-cap system.
ftrack 3.2 comes out next week with new API and customizable Workflows, as well as an app to come later in the year.
The new Faceware Live plugin brings instant, real-time facial animation to Unreal Engine users.
