Tagged With: Visual
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Black Logic Takes Five For Nasdaq
Black Logic has wrapped on a new five spot campaign for the Nasdaq Stock Exchange: "Qualcomm" uses the modem port on a laptop computer as the entrance to a visual world of digital communications; "Immunex" uses transparent CG human forms and brightly colored double helixes to introduce the world of advanced immunology; "Amazon" portrays that company's familiar Website interface to show how it created online commerce; "Biogen" opens with a group photo of the scientists who broke the human genetic code; and "Yahoo" develops the company's groundbreaking search engines, as a road map through a maz
Hannibal Claims U.S. Holiday Box Office
Gobbling up tickets over the President's Day weekend, HANNIBAL remained the toast of the U.S. box office, grossing US$30 million. In merely ten-days at theaters, the cannibalistic caper, with primary visual effects by Mill Film, has scoffed down an amazing $103.9 million. Disney's TV series turned feature, RECESS: SCHOOL'S OUT placed third in its debut, freezing up $10.8 million. In turn, CROUCHING TIGER, HIDDEN DRAGON slipped to fifth, with a gross of $8.77 million.
Cinesite Names Hoffman VP & Head of Visual Effects
Dennis Hoffman has been promoted to vice president and head of visual effects for Cinesite. Since joining Cinesite as an executive producer in 1998, Hoffman has supervised the production of more than 1,500 visual effects shots on 65 projects including such films as RED PLANET, DEEP BLUE SEA, MESSAGE IN A BOTTLE and THIRTEEN DAYS. Prior to joining Cinesite, Hoffman was a producer and subsequently vice president/executive producer at Dream Quest Images, where his producing credits included CRIMSON TIDE, the Imax film ASTEROID ADVENTURE and the series EARTH 2, for which he earned an Emmy.
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Visual Magic Magazine Seeks Freelance Writers
Visual Magic Magazine is currently seeking individuals interested in writing software and book reviews, interviews and feature articles...
Cast Away Sinks To Second At US Box Office
Sinking behind the debut of the new teen drama, SAVE THE LAST DANCE, CAST AWAY drifted into second place at the U.S. box office with a gross of US$17.15 million. The desert island drama, with primary visual effects by Sony Pictures Imageworks, has accumulated an impressive $165.1 million to date. Holding onto third, TRAFFIC drove in with another $11.17 million. The drug ring rage, with primary visual effects by Cinesite, has grabbed $33.08 million so far. In fifth, after its first week in wide release, THIRTEEN DAYS thrilled audiences to the tune of $10.23 million.
New Visual Design Firm Opens In Jersey
Toms River, New Jersey-based Theme Studios has opened a new visual design studio. The company will focus on the production of graphics, illustrations and 2D3D visuals. Theme currently creates projects for distribution on the Web or in digital formats. For more information contact Robert Breisch at: 882 Salem Dr., Toms River, New Jersey 08753; Tel.: (732) 270-1220; E-mail: [email protected]; or Web: www.themestudios.com.
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Grammy Gives Nods To Toons With Tunes
The U.S. Recording Academy's premiere recording awards, the Grammys, have put out their list of nominees and several nods have gone to tunes from cartoons. Competing in the Best Musical Album For Children category are "More Songs From Pooh Corner" by Kenny Loggins and "Woody's Roundup Featuring Riders In The Sky" by Riders In The Sky. The FANTASIA/2000 soundtrack received a nod for Outstanding Compilation Soundtrack Album For A Motion Picture, Television Or Other Visual Media.
New At Visual Magic Magazine
New At Visual Magic Magazine
VFX 2000
VFX 2000 will highlight the growing industry of visual effects. The conference is a biennial event sponsored by BKSTS (Moving Image Society) and the Visual Effects Society. This year's event will showcase developments in the areas of digital cinema and large format films. Filmmaker seminars will include Aardman Animations' Dave Sproxton and Tom Barnes on CHICKEN RUN; The Mill's John Nelson on GLADITOR; and The Secret Labs' Neil Krepela, Neil Eskuri and Mike Belzer on DINOSAUR.
Blur Studio Promotes Shier To Producer
Al Shier has been promoted to visual effects producer at Venice-based Blur Studio, a 3D animation, visual effects and motion graphics design company. For the past two years at Blur, Sheir has served as a line producer and visual effects coordinator. In his new role, Shier will oversee the production of 2D and 3D visual effects and act as liaison between clients and the company's artistic staff. Shier began producing over a year ago, during which he received numerous producing credits.
CDIS Helps Aliens Blow Up Vancouver Landmark!
The first commercial for the Center for Digital Imaging and Sound (CDIS) includes a clip from VANCOUVER UNDER ATTACK, created by CDIS Visual Effects and Digital Animation (VEDA) Program graduate Sean McQuarrie. The excerpt shows a monstrous alien space craft hovering above Vancouver Science World before unleashing a laser beam that blows up the centre. "It involved two days of filming in DVC Pro and miniDV formats," said McQuarrie. "To get the mix right, I used Maya, Maya Live and the Discreet Station for building up 20 layers of visual effects in total.
DAA To Represent ID4 & Total Recall F/X Supervisors
Digital Artists Agency (DAA) has signed agreements to represent Academy Award-winning visual effects supervisors Volker Engel (INDEPENDENCE DAY) and Tim McGovern (TOTAL RECALL). In addition, the company has also signed visual effects supervisor Patrick Shearn, an Emmy Award nominee for 3RD ROCK FROM THE SUN, and Eric Mises-Rosenfeld, a French national with 15 years of award-winning TV commercial and feature film experience.
A Hollow Box Office Sees Cowboys Ride Into #1
In a lackluster weekend at the U.S. box office, early reports have Sonys HOLLOW MAN and Warner Bros. SPACE COWBOYS finishing neck-and-neck for the top spot. COWBOYS, with primary visual effects by ILM, moved up from third to claim an early-tally share of #1, with a gross of $13.1 million, bringing its 10-day cume to $39.1 million. HOLLOW, with primary visual effects by The Ranch Entertainment, Tippett Studios and Sony Imageworks, held on to a piece of first place, adding 13.1 million to its $50.4 million cume.
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British Film Office Sends F/X Exec To LA
The British Film Office has appointed visual effects veteran Meg Guidon as their visual effects marketing executive. The newly created position was created to increase the visibility of U.K. F/X houses with U.S. production companies. The hope is to bring more high-profile work to the U.K. like MISSION: IMPOSSIBLE 2 and GLADIATOR, both of which were done in London. Guidon will be based out of the British Film Office at the Consulate General in Los Angeles, California, U.S.A. Previously Guidon worked at some of the UK's leading visual effects firms including Cinesite and Mill Film.
July 4th Holiday Perfect For Storm
Swamping the July 4th holiday favorite, THE PATRIOT, Warner Bros. THE PERFECT STORM, with primary visual effects by ILM, has docked atop the U.S. box office charts. The seafaring spectacle landed an estimated US$64 million within the five-day holiday run. For the Friday-Sunday time frame, the wet wonder grossed a reported $41.5 million. The George Clooney-vehicle has the second highest debut of the year behind MISSION IMPOSSIBLE 2s four-day Memorial Day holiday opening of $70.8 million.
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Visual Magic Magazine, AWN's 3D animation and digital effects online
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