The acclaimed director’s Oscar-nominated short warns that humanity's constant fear of the future and obsession with the past imperils our ability to live in the present.
Every Tuesday, Chris Robinson digests and dissects (relatively) new indie animation short films.
In which Chris Robinson asks animators profound and inane questions that have little to do with animation. This week's guest is the master of minimalism (even with his answers), German animator, Raimund Krumme
This week Chris Robinson takes a break from his usual proceedings to serve up a fitting Christmas salute to a pretty strange year.
In which AWN’s Chris Robinson asks animators profound and inane questions. This week Canadian animator Steven Woloshen discusses his latest short, Casino.
Chris Robinson is feeling all patriotic this week as he takes a look at 'O Canada' by the vastly underappreciated NFB legend Evelyn Lambart.
This week Chris Robinson explores the poetic Croatian short, Dove sei, Amor Mio by Veljko Popović
This week Chris Robinson takes a look back at a 1975 film from American indie legend George Griffin.
Diane Obomsawin, Joan Gratz and Steven Woloshen among many highlights of Montreal's animation summit.
Colgate sophomore’s ongoing passion for Bag Raiders’ ‘Shooting Stars’ culminates in charming first film, an animated music video, and spot at Animation Day in Cannes.
Director Alan Barillaro and producer Marc Sondheimer discuss their charming, funny and gorgeous new animated short film playing in front of the studio’s latest box office smash, ‘Finding Dory.’
The London International Animation Festival (LIAF) is the UK's largest animation festival, proudly showcasing the whole spectrum of creative animation, showing that animation is for everyone.
Canadian animator Howie Shia dives headfirst into the awkward reality of how we handle our aggressive and often dangerous emotions.
International award for new creative talent in animated design.
The legendary director releases his first new animated film in years, a compelling 22-minute short filled with offbeat, colorful characters drawn from his years in Brooklyn.
The director and producer of Pixar’s new animated short, which will front ‘The Good Dinosaur’ when it opens in theatres next month, discuss their poignant and uniquely different film.
Four years in the making, two-time Oscar nominee trades in his familiar comedic 2D animation style for slow-paced storytelling in a brand-new stop-motion short film.
