AWN Headline News

* Thursday, May 4, 2000. Los Angeles, California, U.S.A.

"The turn-out was terrific. It's better than we ever imagined. It shows the depth of emotion in Hollywood toward this issue," said Tom Sito, president of the Screen Cartoonists' Union Local 893. With bright, artistic signs in hand, a crowd of nearly 250 people consisting of both working and non-working animation professionals showed up to picket in front of Los Angeles PBS affiliate KCET. The picket even drew members from SAG and the American Film union. The event was a show of support against the recent move by PBS that sent their network's animation work to Canada.

One week after THE SIXTH SENSE broke records on video, PHANTOM MENACE doubled the SENSE's first week total in only two days. "VHS is still alive and well, despite reports from others to the contrary," said Fox spokesman Steve Feldstein. Fans of STAR WARS were disgruntled over George Lucas' decision not to release the new installment on DVD. Nonetheless, they were not alienated enough to boycott the VHS release of EPISODE I. The video has made an estimated US$100 million in just two days and is forecasted to reach $200 million in its first week in release.

PuppetTime, Inc. and Prosoft Engineering, Inc. announced a strategic development partnership that will provide PuppetTime with access to Prosoft's engineering resources to accelerate the development of PuppetTime's patent pending Web 3D storytelling technologies.

Film Roman Inc. and The Harvey Entertainment Company announced an agreement whereby The Harvey Entertainment Company will serve as Film Roman's international sales representative. As part of the deal, Harvey will handle sales and distribution of the Film Roman library beginning at MIP and will manage all servicing and collections for Film Roman. Jon Vein, Executive Vice President of Film Roman said, "Our companies both share the belief that independents need to combine their sales and distribution efforts in order to successfully compete internationally.

George Lucas has decided to go mostly digital with the live-action segments of STAR WARS EPISODE II. On Sunday, April 9, 2000, Lucas said, after four months of testing high-definition cameras, he will start shooting most of the next STAR WARS installment with Sony digital cameras. Jim Morris, president of Lucas Digital, said the cameras had "exceeded expectations." In June, the film will start shooting in Australia for two months, then move to Italy and Tunisia in August for another month, followed by 18 months of post-production.

William Shpall, chief operating officer of Film Roman, has left the company. John Hyde, president and CEO of Film Roman, has told AWN that Shpall has worked out a deal to leave his post to pursue other Internet deals and projects that have presented themselves to him. Shpall was the father of Film Roman's Web entertainment destination, Level 13, which launched on November 27, 1999. According to Hyde, Shpall with continue on as a consultant to Level 13 and Film Roman's overall Internet strategy until at least the fall of 2000.

Alias|Wavefront announced this week that the fifth major release of their Maya next-generation animation software will feature a universal rendering policy that enables Maya Complete and Maya Unlimited to "float" the Maya Batch Renderer across any number of machines. This new announcement furthers Alias|Wavefront's aim at synergy between all of Maya's tools throughout the production and post-production process and Alias|Wavefront's earlier announcement that Maya 3 will feature a new Trax compositing system further backs up this position.

Discreet, the producers of high-end 3D and 2D computer graphics tools this week launched their new unified paint, animation and 3D visual effects system: combustion*. The Macintosh and Windows NT-based system offers a single, unified paint, animation and 3D-compositing environment for visual effects creation. combustion* features Academy Award-winning technology from inferno* and an extremely fast caching architecture for igniting the desktops and creative imaginations of digital visual effects artists world wide.