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THE CLASS (2008) (***1/2)

By Rick DeMott | Wednesday, October 28, 2009 at 11:10pm

This film began with a book written by French public school teacher Francois Begaudeau. He adapted the novel into the screenplay with director Laurent Cantet (TIME OUT) and writer Robin Campillo. Begaudeau even plays the teacher, Francois Marin. The children are all non-actors playing versions of themselves. For this documentary like non-fiction film, Cantet worked with the teens for a year crafting their characters. The result is a teacher film like no other you've ever seen. There is no trumped up drama or conflicts. The teacher isn't some perfect inspiration to every student. It simply watches.

The teacher goes into the new year at the racial mixed urban school with good intentions. But his 15/16-year-old students have a different opinion of those intentions. Throughout the year it is a constant battle of wills between Francois and his students. He tries to adjust to the ever-changing war plan of his students; sometimes his moves work and sometimes they backfire in his face.

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This Weekend’s Film Festival – Foreign Fright

With Halloween nearly upon us, I took inspiration from the Eerie Books Blog's list of 50 Must-See French Horror Movies to dedicate This Weekend's Film Festival to foreign language horror films. We have a French, black & white, horror classic. From Austria, we have a frighteningly real story of mental torture. We have a genre-changing Japanese fright fest that curses TV viewers. Arriving from Germany, we have a 1970s remake of a classic silent horror tale. And we close with a chiller from Italy created by one of the country's masters.

Georges Franju's EYES WITHOUT A FACE is a twisted mad scientist tale. Dr. Genessier (Pierre Brasseur) is consumed with giving his daughter Christiane (Edith Scob) a face transplant following a car accident that has left her terrible scared. Her emotionless white mask with her gorgeous sad eyes peering out is a classic film image. She is tormented with the reality of how her father is getting the faces for his surgical experiments. As I said in my original review, "The film becomes a battle between the evil doctor and his good daughter, who is as much a victim of her father as the woman he lures to his castle in the woods." Bubbling under each frame is a sick sexuality as the father obsesses with his daughter's beauty and the doctor's assistant Louise (Alida Valli) obsesses about the brilliant scientist who barely pays her attention. While it's hauntingly gothic and eerily poetic, this film is all the more frightening because it feels like it could be real.

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RINGU (1998) (***1/2)

Hideo Nakata's RINGU changed horror. Having been stagnant for years, the genre in Asia was electrified via this simple, creepy ghost story. This trickled over to the States. It launched the very popular curse subgenre of horror where a violent death leaves a curse on something and that curse jumps from one person to the next. While it has inspired many of these films, none have come close to equaling it.

The story begins with two teen girls — Masami (Hitomi Sato, RINGU 2) and Tomoko (Yuko Takeuchi, NIGHT OF THE SHOOTING STARS) — discussing the rumor of a cursed videotape that upon watching it, the viewers receive a phone call stating they will die within a week. Tomoko admits to having watched it with some friends. When her corpse is found in a frozen state of fear, her aunt Reiko Asakawa (Nanako Matsushima, RINGU 2), a TV journalist, decides to investigate the mysterious tape. When she finds it, the curse attaches to her. She asks her ex-husband Ryuji Takayama (Hiroyuki Sanada, THE TWILIGHT SAMURAI) to get to the bottom of the curse, fearful that she will be killed, leaving behind their young son Yoichi (Rikiya Otaka, RINGU 2). They discover that it's connected to the psychic Shizuko Yamamura (Masako, RING 0) and her strange daughter Sadako (Rie Ino'o, RINGU 2).

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ICE AGE: DAWN OF THE DINOSAURS (2009) (**1/2)

The popular ICE AGE films have fallen into a comfortable formula -- mix tired SHREK pop culture references with some sitcom plot devices and add in a dash of LOONEY TUNES gaggery. Young kids might find the concoction palatable, but teens and adults who have more refined tastes will be able to call back how much better Pixar cooks up CG courses.

Speaking of eating, Diego the sabertooth tiger (Denis Leary, TV's RESCUE ME) is tired of simply chasing gazelles around the frozen tundra and decides to leave the makeshift herd. But doesn't he want to do that is every film? Maybe in the next film he can go into therapy for manic-depressive disorder. Anyway, he's feeling left out because the wooly mammoths Manny (Ray Romano, TV's EVERYONE LOVES RAYMOND) and Ellie (Queen Latifah, CHICAGO) are having a baby. Sid the sloth (John Leguizamo, SUMMER OF SAM) is also feeling left out and goes searching for his own kids to nurture. In a cave he finds three eggs, and as one can guess from the title they turn out to be tiny destructive dinos. So when their T-rex mommy comes looking for them, Sid is inadvertently dragged down into a lost world of dinosaurs under the ice. So the herd, including the annoying possums Crash (Seann William Scott, AMERICAN PIE) and Eddie (Josh Peck, TV's DRAKE & JOSH), venture down into the cave to save their friend.

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SUNSHINE CLEANING (2009) (***)

Biohazard and crime scene clean-up is a growing niche industry, says Amy Adams' character Rose in SYLVIA director Christine Jeffs' dramedy about just that subject. For a single mother, the pay is good and she gets to tell former classmates that she's a business owner instead of a plain old maid. The blood and brain matter is just the drawback.

Rose is trying to make more money to send her son Oscar (Jason Spevack, HOLLYWOODLAND) to a private school. She recruits her slacker sister Norah (Emily Blunt, THE DEVIL WEARS PRADA) to help. As first they know nothing about the dangers and regulations of what they are doing, but the kind man named Winston (Clifton Collins Jr., CAPOTE) at the supply store helps fill them in. And soon their in biohazard suits and getting better and better clients.

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Getting Buzzed - Hear the Call of the Wolfman

It was a light week for trailer buzz. THE WOLFMAN was the biggest thing to hit the Net, unless you count the bootleg versions of the new three minute-plus AVATAR trailer, which was gone in 60 seconds. Other than the big spring horror flick, there were a few of interesting indie pics to consider.

Getting Buzzed
5) The Wedding Song (Oct. 23, 2009)
Trailer
Set at the dawn of WWII, two friends, one Jewish and one Muslim, find themselves jealous of each other's lives. Nour is put into an arranged marriage with her handsome and passionate cousin, while Myrian has a chance to go to school. Their friendship is tested as the political winds change. Sounds like a promising premise.

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ASTRO BOY (2009) (***)

Osamu Tezuka is considered the godfather of anime. Astro Boy is one of his legendary creations. Now Imagi Studios, who brought the Teenage Mutant Ninja Turtles to CG animation, attempt to bring this classic to a new generation. This of course is a film that different audience members will bring different perspectives to because it is based on such beloved source material. For me, I can't claim to be an ASTRO BOY expert, so I come to this film with a rudimentary knowledge of the material. For me, this version of the tale was an entertaining and often charming animated adventure.

The story is set in a world where the well-to-do live in a city in the sky, while others live on the ground, which has become a trash dump for old robots from Metro City. Toby (Freddie Highmore, FINDING NEVERLAND) is the son of Dr. Tenma (Nicolas Cage, GHOST RIDER), a brilliant robot maker. When his father is set to unveil a new "peacekeeper" robot to the president General Stone (Donald Sutherland, THE DIRTY DOZEN), Toby sneaks into the demo. An accident leads to Toby's death and the distraught Tenma creates a new high-tech robot in the likeness of his son with the boy's memories and all. But when Astro turns out to be different than Toby, Tenma casts him off and he ends up on the planet surface where he runs into a group of orphans led by Cora (Kristen Bell, TV's HEROES) and watched over by the robot obsessed tickerer Ham Egg (Nathan Lane, THE BIRDCAGE).

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CIRQUE DU FREAK: THE VAMPIRE'S ASSISTANT (2009) (***1/2)

Vampires are hot these days. Family friendly fantasy is hot these days too. So Darren Shan's THE SAGA OF DARREN SHAN series seems like a good choice to make the jump to the big screen. In the hands of director/co-writer Paul Weitz and L.A. CONFIDENTIAL writer Brian Helgeland it becomes a captivating world of fantasy creatures and bizarre freaks.

Darren Shan (Chris Massoglia) and Steve Leonard (Josh Hutcherson, BRIDGE TO TERABITHIA) are best friends, but Darren's parents don't like their son's bad influence. One night, the two sneak out to see a freak show where they meet Mr. Larten Crepsley (John C. Reilly, CHICAGO), a centuries old vampire with a colorful, but deadly, pet spider, Madam Octa. This intrigues Darren, an arachnid-phile, and Steve, a troubled young man yearning to be a vampire. Darren steals Mr. Crepsley's spider, which bites Steve. So to save his friend, Darren agrees to become Crepsley's vampire assistant in exchange for the antidote.

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AMELIA (2009) (**)

Throughout AMELIA, I kept thinking of a lot of other very good biopics like MILK and WALK THE LINE. Sadly for Mira Nair's film, I was thinking how they portrayed similar plot elements so much better. AMELIA doesn't ride high on the overcoming odds elements that Harvey Milk's film story does, nor does it have nearly as a captivating love story as Johnny Cash and June Carter. But it tries to.

Hilary Swank gives another fine performance as Amelia Earhart. Right at the start, we are thrust into her big first flight as a passenger over the Atlantic. The stunt flight was promoted by top PR man George Putnam (Richard Gere, CHICAGO), who quickly becomes Amelia's lover and then husband. But as the many speeches Swank gives on the subject Amelia needs to be free and that drives her to a love affair with aeronautics pro Gene Vidal (Ewan McGregor, MISS POTTER).

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This Weekend’s Film Festival – Best Baseball Movies of All-Time

The World Series is nearly upon us so This Weekend's Film Festival gets into the baseball spirit with the best baseball films of all-time. It's an eclectic mix of films, some are in Little League, some are in the minors, some are in the majors, and some are simply in a field in Iowa. Some of the films deal with the directly and some deal with it in a bigger sense. But one thing all the films have in common is a respect for the game. Lets play ball!

Coming in at #5, just beating out the good, but sentimental, classic THE PRIDE OF THE YANKEES, is THE BAD NEWS BEARS. As I said in my original review, "In addition to its look at how competitive Little League can get, another thing that was surprising was how honest it is about the Bears journey to the championship game." The Bears is a team made up of all the players who other teams didn't want. Former minor league pitcher Morris Buttermaker, played wonderfully by Walter Matthau, is paid to coach the team. Early on they get trounced, so Buttermaker recruits his ex-girlfriend's girl Amanda Whurlitzer — Tatum O'Neal following up her Oscar win for PAPER MOON — who helps lead the team to victory with the aid of town thug Kelly Leak, played by a young Jackie Earle Haley. Buttermaker gets consumed with winning and pushes the kids too far and fails to allow the lesser skilled kids a chance to play. Director Michael Ritchie takes a realistic approach to the material, using natural sound and never making the Bears go from losers to pros overnight. THE BAD NEWS BEARS captures a truthful look at why kids want to play ball and why adults want to coach them.

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NOSFERATU THE VAMPYRE (1979) (***1/2)

Werner Herzog's remake of F.W. Murnau's silent classic isn't interested in telling an accurate version of Bram Stoker's DRACULA, nor a straight remake of Murnau's shadowy vampire masterpiece. Herzog takes the plot of the 1922 film, the character names from the novel then adds his own plot twists and jumbles them all up. What he produces is a horror film is the classic sense of the term, and leaves us haunted and disturbed.

Jonathan Harker (Bruno Ganz, DOWNFALL) is set to travel to Transylvania to sell Count Dracula (Klaus Kinski, AGUIRRE: THE WRATH OF GOD) a house in Germany. His wife Lucy (DRACULA purists must get over the name flops), played by the gorgeous Isabelle Adjani (ISHTAR), doesn't want him to go, because she has a foreboding feeling. Harker's travels to see the Count are long and arduous. When he meets Dracula, he finds himself in the presence of a rat-like man whose ghostly skin is almost as unsettling as his strange behavior. When the vampire sees a picture of Harker's wife, he signs the deal right away. There is a wonderful dinner awaiting him in Wismar.

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EIGHT MEN OUT (1988) (***1/2)

In 1919, the game of baseball was much different than it is today. John Sayles' wonderful chronicling of the 1919 Black Sox scandal captures how different it was. Players were stars, but they didn't get the astronomical salaries of modern players. They didn't live in a bubble of celebrity, owning homes among their fans. One thing that was the same was the players had a limited window for their careers, so the needed to earn enough to support their families after baseball was over. There were not sportscaster jobs waiting as a back-up. Combine these factors with a notorious greedy owner, and you have the conditions for gamblers to get the players to take a dive.

Sayles, who based the film on Eliot Asinof's novel, lays out the conditions for why the legendary White Sox players took money to throw the World Series with attention to detail and pathos. The team was being hailed as one of the best ever. The team owner Charles "Commie" Comiskey (Clifton James, SILVER STREAK) never gave them the respect they deserved, nickel and diming them whenever he could. Family man pitcher Eddie Cicotte (David Strathairn, GOODNIGHT, AND GOOD LUCK.) was in line to receive a $10,000 bonus for winning 30 games, so Comiskey benched him for the last two weeks of the season. With cheapskate moves like that, one isn't surprised by the animosity of players like Arnold "Chick" Gandil (Michael Rooker, HENRY: PORTRAIT OF A SERIAL KILLER) when embracing the gamblers' offer.

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CHERI (2009) (***1/2)

Director Stephen Frears is no newcomer to the sexual-charged period dramas, having directed CHERI star Michelle Pfeiffer in DANGEROUS LIAISONS. For her previous collaboration with Frears, Pfeiffer received an Oscar nomination and she deserves one for this collaboration as well. Pfeiffer's brave and radiant performance and Frears delicate direction make this film something special.

Based on the novels by Colette, Pfeiffer plays an aging courtesan named Lea de Lonval. She is friends with another aging courtesan named Madame Peloux (Kathy Bates, MISERY) only because courtesans can't be friends with regular folk because they only want to talk about one thing and that gets boring. Madame Peloux has a son named Cheri (Rupert Friend, 2005's PRIDE & PREJUDICE), a 20-something lothario whose mother hopes Lea can make a real man out of him. Lea has known the boy since he was born, but a client is a client. Cheri, whose real name is Fred, was given his nickname (meaning darling) by Lea, who he has idealized his whole life.

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Getting Buzzed - Brave Little Toaster 3-D, or As Others Know It Toy Story 3

There's not a great deal of new buzz this week, but certainly the debut of the full TOY STORY 3 trailer has fans excited about 2010. In one small 2009 awards season news, there will be one less Oscar contender in the mix. Indie distributor Apparition has pushed Terrence Malick's THE TREE OF LIFE to 2010 so it can focus its support on the wonderful BRIGHT STAR and the upcoming THE YOUNG VICTORIA.

Getting Buzzed
7) Dear John
Trailer
Only two things have me slightly interested in this weeper from sap master Nicolas Sparks — Amanda Seyfried and Lasse Hallstrom. Seyfried plays a young girl who falls for a soldier played by Channing Tatum as he's about to be shipped back to war. So for seven years their relationship exists through letters. Oh this sounds like movie-of-the-week material to me, but Seyfried is emerging as one of the best 20-something actresses around and I have always respected director Hallstrom, who made two of my all time favorites — MY LIFE AS A DOG and WHAT'S EATING GILBERT GRAPE? I'm hoping this is as engaging as THE NOTEBOOK, but that's hoping for a lot, because Tatum is no Ryan Gosling.

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SUGAR (2009) (***1/2)

Anna Boden and Ryan Fleck's SUGAR is one of the best baseball movies and baseball isn't its main focus. Miguel "Sugar" Santos, a Dominican ballplayer, is the focus. Through his story one sees the difficult odds any player must face in trying to make the major leagues, especially players from foreign countries. In the personal story of one player you get the scope of all players that follow their dreams of the big time.

Sugar (Algenis Perez Soto, film debut) is a promising pitcher in a Dominican farm league for the Kansas City, Knights. When a recruiter from the States teaches him a new curveball, he begins to attract the eyes of the Minors and is called up to a single A club in the Midwest. His friend Jorge Ramirez (Rayniel Rufino, LIBERTY KID) joins him, but he is soon cut from the team. Sugar has a hard time communicating with anyone because he only speaks a few words of English and few people speak Spanish. He stays with an older couple, who are diehard fans of the team. His coaches struggle to give him basic instructions. The only thing he knows how to order for breakfast is French Toast and he doesn't even like it that much.

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FIELD OF DREAMS (1989) (****)

Phil Alden Robinson's FIELD OF DREAMS is nostalgic and sentimental and just right. The story, based on W.P. Kinsella's novel, captures the innocence of baseball with an emotional honesty that taps into the generational gap that grew wide during the 1960s. With the conceit of the magical field, the film conjures the notion of simple times when a boy and his dad could share in the game and people of all walks of life could come together in the celebration of the American pastime.

Ray Kinsella (Kevin Costner, DANCES WITH WOLVES) is a farmer in Iowa. The ex-hippie works the family farm with his wife Annie (Amy Madigan, POLLOCK), who he has a young daughter named Karin (Gaby Hoffman, SLEEPLESS IN SEATTLE) with. One fateful day in his cornfield, Ray hears a voice say, "If you build it, they will come." Ray becomes obsessed with the voice and is convinced that he needs to build a ball diamond in his cornfield. A classic film image.

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WHERE THE WILD THINGS ARE (2009) (****)

In the promotion for this film, Maurice Sendak, the author of the book in which the film is based, said the only thing he wanted director Spike Jonze to do with the film was to respect children by not talking down to them. Jonze has done this with this sad, scary and sensational adaptation. Some younger kids might be too frightened to attend, but many will be thrilled by the adventure and relate to the mixed-up feelings of its characters. Like what Carol the Wild Thing says to Max the boy when they first meet, this guy gets it. The same can be said of Jonze.

Max (Max Record, THE BROTHERS BLOOM) is a rambunctious young boy who is confused and scared about all the changes happening around him. His mother (Catherine Keener, BEING JOHN MALKOVICH) is having trouble with her job and she's dating a new guy (Mark Ruffalo, YOU CAN COUNT ON ME), who doesn't seem to get kids. His sister Claire (Pepita Emmerichs) is now into her friends and when Max ambushes them in a snowball fight, the older kids take it too far and destroy his igloo. Max begins acting out leading to him biting his mom and running away.

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This Weekend’s Film Festival - Suburban Nightmares

With Sam Raimi's fabulous horror/comedy DRAG ME TO HELL now on DVD and Blu-ray, this week's lineup gets into some early Halloween scares. These chillers take place where people live. A witch curses a bank worker who fails to extend her loan. A woman hits a homeless man who becomes stuck in her windshield. Two wayward souls become obsessed with bugs under their skin. A vengeful cop torments his new neighbors. And we end with a classic real world battle between good and evil.

"At its core, [DRAG ME TO HELL] is about how the pressure of success can curse us and make us do things we never thought we’d ever be capable of doing," to quote my original review. Christine, played wonderfully by Alison Lohman, is a farm girl trying to make her way in the big city. Her boyfriend Clay (Justin Long) is from a rich family, so she wants to move up at her bank job to impress them. Enter the gypsy Mrs. Ganush, in a classic villain performance from Lorna Raver. She is behind on her mortgage and Christine makes the tough decision to decline another extension. The old woman curses Christine, who is then plagued by demons who in three days time will drag her to hell. Christine tries everything to rid herself of her demons, both literally and figuratively. Raimi crafts a story that is driven by its character's desires and our desire for their wellbeing. He perfectly balances between pathos, humor and real tension. Throughout, the film Christine is pushed to the edge and she must learn what kind of person she wants to become.

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WHIP IT (2009) (***)

Drew Barrymore makes her directorial debut with this roller derby flick. But the film isn't a sports flick in the traditional sense. It serves as more of a female empowerment story. Roller derby is just the vehicle for a young teen to find herself.

Bliss Cavendar (Ellen Page, JUNO) is that teen. For years, she's put up with beauty pageants to appease her mother Brooke (Marcia Gay Harden, POLLOCK), who is reliving her Texas pageant days through her daughters. Her father Earl (Daniel Stern, CITY SLICKERS) is hands off and strategically picks his battles with his headstrong wife. During a trip to Austin to do some shopping, Bliss meets some roller derby girls and becomes intoxicated with these free-spirited women.

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Blu-ray: HENRY: PORTRAIT OF A SERIAL KILLER (1990)

HENRY: PORTRAIT OF A SERIAL KILLER (1990) Review

HENRY, one of the best serial killer horror films ever made, has arrived in high-definition. This low-budget scarefest isn't the kind of Blu-ray disc you pop in to impress the friends — it's grainy and worn looking at times. But that represents the low-budget origins of the film. This isn't the kind of film one would even want gussied up in 1080p. This release is about as good as the film has ever looked or might ever look. The imperfections, especially in the amount of grain during night scenes, really pop in HD. It is what it is. The colors are balanced nicely, but again the grain does mute the blacks. The look of the film certainly mirrors the subject matter. As for the sound, the film does its best from the original source. Imperfections in mixing and editing are present, but that is not the fault of the Blu-ray makers. Like the picture, the Linear PCM 2.0 stereo mix is gritty, but it fits this film perfectly.

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CAPE FEAR (1962) (****)

It was an interesting experience watching this classic horror/thriller for the first time. I've seen Martin Scorsese's remake several times before and quite enjoyed it. What stuck we was how similar they are plot-wise, but how a few twists of the theme transforms the films into totally different experiences. The original, starring Gregory Peck and Robert Mitchum, is a classic battle between good and evil. The remake takes a more nuanced take on this struggle dealing with how sins come back to haunt us. Both films however pit a smart and ruthlessly vicious man against a hero who is pushed to the edge.

In this film, Peck plays Sam Bowden, an attorney who testified against Max Cady (Mitchum) in an assault case that led to Cady serving eight years in prison. Upon his release, Cady moves into Bowden's town and begins a systematic psychological war against Bowden and his family. When Bowden asks his friend, police chief Mark Dutton (Martin Balsam, 12 ANGRY MEN), for help, Cady turns the tables on them and accuses them of harassment. Later Bowden hires private eye Charlie Sievers (Telly Savalas, THE DIRTY DOZEN) to watch out for his wife Peggy (Polly Bergen, TV's DESPERATE HOUSEWIVES) and 14-year-old daughter Nancy (Lori Martin, TV's NATIONAL VELVET). But as Cady's actions get increasingly devious and dangerous, Bowden transforms from law defender to lawbreaker.

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Getting Buzzed - Families are Lucky this Fall

After a week hiatus, the Getting Buzzed column is back. Award season is heating up and we have some family films in this week's countdown that are getting Oscar buzz. We also have George Clooney and Freddy Krueger and God.

Sinking Slowly
Pirate Radio (Nov. 13, 2009)
Trailer
Richard Curtis' comedy about a pirate radio station run on a boat during the 1960s has been delayed over and over again in the U.S. Previously it was known as THE BOAT THAT ROCKED; now it's PIRATE RADIO. Rumors of recuts aren't supporting a positive case for this once promising release.

Getting Buzzed
9) Red Cliff (Nov. 20, 2009)
Trailer
The domestic trailer for John Woo's Chinese war epic is out. I've already seen it and it's a good John Woo flick. When it's acting more like BRAVEHEART it's great.

Blogs

This Weekend’s Film Festival – Cult of Asia

In recent years, Asia has become a land for innovative cult cinema. From Japan, we have a provocative satire of unruly youth and a drama of the loneliness of the workplace. From Korea, there is a trilogy of revenge films that take the subgenre to new depths of emotional resonance. Get a dose of cool for your weekend.

Kinji Fukasaku's BATTLE ROYALE is set in a near future Japan where the government selects one ninth grade class each year to participate in a tournament to the death. As I said in my original review, "When mainstream American cinema tries to take moral stand, it deals with a moral that is impossible for anyone to disagree with like 'life should be lived to its fullest.' I only wish more films in America would have the guts to take a chance like this one does." Fukasaku skillfully melds pitch black humor with cutting social satire, as well as moving moral dilemmas. If your life counted on it, could you kill your friends? Pushing human emotions to the extremes, this film tackles some disturbing issues such as youth violence, trust and the world's obsession with the humiliation of others on reality TV. This provocative film only gains relevance as it gets older.

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Blu-ray: SNOW WHITE AND THE SEVEN DWARVES (1937)

SNOW WHITE AND THE SEVEN DWARVES Review

Disney goes back to the original artwork of their first animated feature to bring SNOW WHITE to 1080p. This first rate transfer brings out the details in this handmade animated film like never before. In many scenes, one can see the brush strokes and ink lines. The colors pops when they need to and the shadowy scenes are filled with rich blacks. For me, the focus wavers at times, but many are dismissing this as a product of the original artwork. That being said, SNOW WHITE has never looked better. And best of all, it retains the integrity of what the filmmakers had in mind. The DTS-HD Master Audio 7.1 soundtrack stays true to the original soundtrack. Directionality is done well, but the soundscape is left limited. I would have liked a little more rear speaker balance. Diehard fans can even indulge in the original mono track.

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SNOW WHITE AND THE SEVEN DWARVES (1937) (****)

Disney's Folly is what they called SNOW WHITE before it arrived in theaters. Moving into feature animated films was a huge gamble, but Walt Disney saw it as the only way to sustain the studio; shorts were getting less profitable. With this film, Disney was a perfectionist and as the production took longer and longer the more expensive it became. If the film was not a success the studio would go under. Upon its release it was hailed as a classic and that status has endured till today.

The story is a simple tale of good versus evil, but on a grand scale. Snow White (Adriana Caselotti, THE WIZARD OF OZ) is the epitome of goodness. The princess toils as a slave to her evil stepmother the Queen (Lucille La Verne, ORPHANS OF THE STORM), but she still finds the happiness in the simple things in life like the flowers and the birds. To contrast her innocence, the Queen is vain and vindictive. When her Magic Mirror (Moroni Olsen, 1950's FATHER OF THE BRIDE) declares that Snow White is now the fairest in the land, she commands her huntsman (Stuart Buchanan) to take the princess out into the woods, murder her and cut out her heart as proof of the heinous deed.

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