VFXWorld Magazine

Former Light of Day creative director Leo Nguyen joins Carbon VFX with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing.

London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.

Submission deadline for Scientific and Technical Awards is Friday, July 10; Animated Short Film submissions must be made by Thursday, October 1; Animated Feature submissions are due Friday, October 30.

The newest addition to Humble’s growing Los Angeles office, Lords most recently served as managing director and executive producer at Morgan Spurlock’s commercial production banner, Warpaint.

Umberger amplifies live-action storytelling with dynamic effects to create a uniquely energetic visual extension of the music.

One-click installation enables quick and simple launch of cloud-based render farms on Azure.

600-student educational institution offering a unique curriculum fusing digital art, engineering and entrepreneurship, will relocate to a new site at 191 Baypointe Parkway in San Jose, CA.

Cospective and Shotgun join forces to offer VFX, animation and post studios a faster way of working with built-in Shotgun Review portal built directly into cineSync.

New alliance gives the two VFX houses a combined staff of over 525 artists worldwide, with capacity for 675 at their studios in London, Vancouver and Montréal.

New subscription licensing plan offers fully supported version of Qube! render farm management software for $15/month for commercial use and $10.50/month for educational use.

In this four-part interview from FMX 2015, Christopher Townsend, the overall VFX Supervisor on ‘Avengers: Age of Ultron,’ provides a detailed overview of the key components of the Marvel Studios tentpole.