Spinning A New 'Charlotte’s Web'
J. Paul Peszko reports on the collaborative CG effort between Tippett Studio, Rhythm & Hues and Rising Sun Pictures in bringing the new live-action Charlottes Web to the screen.
J. Paul Peszko reports on the collaborative CG effort between Tippett Studio, Rhythm & Hues and Rising Sun Pictures in bringing the new live-action Charlottes Web to the screen.
Visual effects supervisor Ted Rae speaks to Bill Desowitz about the intense challenges of creating effects for Apocalypto, Mel Gibsons ambitious action/adventure about the decline of the Mayan civilization. Includes QuickTime clip!
In this month's "The Digital Eye" column, Sony Pictures Imageworks' Jenny Fulle describes how a perceptive combination of creativity, talent and technology is advancing the art.
Alain Bielik discusses the challenges of creating a unique lead dragon in Eragon with first-time director and former ILM vet Stefen Fangmeier and various supervisors.
In VFXWorld's latest excerpt from The Magic of Houdini, Will Cunningham discusses the use of initial velocity and other particle forces to be reckoned with.
Bill Desowitz speaks with Oscar-winning visual effects supervisor Joe Letteri about staying on the cutting edge of digital acting and 3D environments at Weta Digital.
In VFXWorld's latest excerpt from The Magic of Houdini, Will Cunningham lays out the plethora of details that can be found in the Channel Editor.
Renee Dunlop traces the work of Hammerhead and Digital Dream and various vfx pros on The Nativity Story, in which the mandate was fit in seamlessly with the naturalistic look.
Karen Raugust discovers how developers are investing in 3D mobile gaming, and positioning for success once consumer demand takes off.
Janet Hetherington talks to vfx experts about how videogame technologies are influencing movies and TV -- in production, presentation and marketing.
J. Paul Peszko reports how Eyetronics hit a home run with its scanning solutions for two upcoming MLB videogames.
Camilla Havmoller reports on some of the latest industry breakthroughs from Weta and studios closer to home at the inaugural AnimfxNZ 2006 symposium in Wellington, New Zealand.
Tara DiLullo experiences Deja Vu all over again in her vfx coverage of Asylum's cutting edge work on the new Tony Scott thriller.
Bill Desowitz gets closer to The Fountain with director Darren Aronofsky, vfx supervisor/designer Jeremy Dawson and Intelligent Creature's vfx supervisor Raymond Gieringer. Includes Quicktime clips!
Dale Hendrickson, who worked on the original She-Ra and He-Man series, chats with veteran producer Lou Scheimer about his work on the two series, as well as his overall career in animation.
Brad Blackbourn of DreamWorks Animation and Frank Passingham of Aardman Features describe how they met the challenges of layout/cinematography in marrying their two worlds on Flushed Away.
In the latest excerpt from the book The Magic of Houdini, Will Cunningham explains Point and Primitive SOPs.
Adrian Pennington explores the challenges and possibilities in developing more photoreal games in the U.K. with the new HD platforms.
Tackling games in this month's "Digital Eye," game designer James Everett gives us his thoughts on the dangerous business of videogame innovation.
With visual effects work needed on a global scale, J. Paul Peszko investigates the rise in VFX throughout the Middle East.
In the latest excerpt from the book The Magic of Houdini, Will Cunningham discusses a few more complicated SOPs.
Brad Blackbourn of DreamWorks Animation and Frank Passingham of Aardman Features describe how they met the challenges of layout/cinematography in marrying their two worlds on Flushed Away.
Alain Bielik uncovers some of Santas vfx secrets from Furious FX and Tippett Studio in his coverage of The Santa Clause 3: The Escape Clause.
Known mostly for its CG entertainment work, Indias emerging animation industry is increasingly adding vfx projects to its portfolio. Karen Raugust reports. Includes QuickTime clips of vfx showreels from Prasad EFX, Paprikaas Animation Studios and Rayudu Vision Media Ltd.!
With visual effects work needed on a global scale, J. Paul Peszko investigates the rise in VFX throughout the Middle East.