VFXWorld Magazine
'Shutter Island': VFX Method to the Madness
Rob Legato and CafeFX's Ben Grossman explain channeling Hitchcock for Martin Scorsese's gothic spellbinder.
Catmull on Technology and Storytelling
Ed Catmull discusses the upcoming VES Awards, his pioneering spirit and the way VFX are now evaluated.
Arming 'Percy Jackson' with Mythological VFX
Read how Digital Domain, Luma Pictures and MPC Vancouver created a CG menagerie of gods, demigods and monsters for Percy Jackson & The Olympians: The Lightning Thief.
Arming 'Percy Jackson' with Mythological VFX
Read how Digital Domain, Luma Pictures and MPC Vancouver created a CG menagerie of gods, demigods and monsters for Percy Jackson & The Olympians: The Lightning Thief.
The Academy Honors RenderMan Getting the Point
Michael Bunnell, Christophe Hery and Per Christensen discuss their Sci Tech award for point-based rendering.
Going Beyond the 'Edge of Darkness'
Kent Houston of Peerless Camera discusses some nifty gore and environments in the return of Mel Gibson in front of the camera.
Weta as Dreamweaver on 'Lovely Bones'
Weta Digital describes the artistic challenge of pulling off Peter Jackson's vision for The Lovely Bones.
2010 VFX Preview
VFXWorld's Rick DeMott and Bill Desowitz sketch out a list of the hotly anticipated visual effects flicks of 2010.
'Sherlock Holmes': Victorian London Calling
Chas Jarrett takes us to the scene of the vfx for the latest incarnation of that famous Baker Street consulting detective.
Entering the 'Imaginarium' of Terry Gilliam
John Paul Docherty and Richard Bain tell us what it was like conjuring new frontiers for The Imaginarium of Doctor Parnassus.