'Evan Almighty': Choreographing CG Water of Biblical Proportions
For the first-time, ILM tackles mid-day CG water on the move for Evan Almighty and Thomas J. McLean finds out how they met the challenge.
For the first-time, ILM tackles mid-day CG water on the move for Evan Almighty and Thomas J. McLean finds out how they met the challenge.
Weta Digital creates a unique, liquid shine for Silver Surfer in the Fantastic 4 sequel, and Thomas J. McLean goes behind-the-scenes to find out how.
Vfx supervisor John E. Sullivan tells Thomas J. McLean about working on the fly with several vendors to help convey a fresh futuristic look in Next.
Greenscreens and editing tricks didn't cut it for Blades of Glory, so Thomas J. McLean finds out how Rainmaker's new facial performance capture took the gold for this ice skating comedy.
Thomas J. McLean discovers how The Reaping offered Double Negative the opportunity to recreate two of the biblical plagues in present day: the locust swarm and the river of blood.
Thomas J. McLean discovers that theres more vfx to The Astronaut Farmer than meets the eye, including CG work involving the rocket ship and its orbit around the Earth.
Thomas J. McLean chats with vfx supervisors John Knoll, Boyd Shermis and Mark Stetson about their Oscar-nominated work and the selection process. Includes QuickTime clips!