In the latest excerpt, Ken A. Priebe interviews stop-motion vets Larry Bafia and Webster Colcord about working on Claymation classics like the California Raisins.
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe discusses the use of bluescreen and advanced compositing.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe shows readers how to bring visual effects to their stop-motion work.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe finishes up his discussion of character animation.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe delves into character animation.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe talks with Pete Kozachik, ASC.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe finishes his discussion of digital cinematography.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe begins his discussion on digital cinematography.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on face armatures, replacement faces and rapid prototyping.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on silicone and plastic casting.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on puppet anatomy.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe begins his lesson on building puppets.
In the third excerpt from chapter one of the book The Advanced Art of Stop-Motion Animation, Ken A. Priebe finishes his history of stop-motion features.
In the second excerpt from chapter one of The Advanced Art of Stop-Motion Animation, Ken A. Priebe extends his history of stop-motion features to international releases.
Ken A. Priebe gives readers a history of stop-motion features in this excerpt from his book The Advanced Art of Stop-Motion Animation.
