‘Anime Action,’ ‘Dark Heroic Drama 3’ and ‘Cinematic Hybrid 2’ albums provide a range of options for content creators and marketing teams with structured tracks, versatile stems and alt versions.
The award-winning studio has teamed up with supervising sound editor Hunter Curra (‘Rick and Morty,’ ‘BoJack Horseman’) and senior sound designer James Singleton (‘Big Mouth,’ ‘Star Trek: Lower Decks’) on a number of animated projects, including Lord and Miller’s ‘Clone High’ reboot.
Musician picks up where Carl Stalling left off, returning to Warner Bros. more than 25 years after composing on ‘Animaniacs’ and ‘Pinky and the Brain.’
To produce believable looking and sounding fireworks for director Jon Chu’s final shot, VFX supervisor Nhat Phong Tran broke new ground with his ‘Crazy Niche Equations.’
The veteran designer discusses her work creating the riveting sounds of White Walkers and dragons on HBO’s hit action-adventure series.
Beatstreet NYC taps foley team at Alchemy Post Sound help bring the fantastically crazy world of creator Billy Lopez’s digital-turned-linear animated series from the Web to the small screen.
Sony Pictures Post Production Services’ veteran sound team flexed their creative muscles to fill out the soundscape for the characters and gadgetry for Columbia Pictures and Marvel Studios’ Spider-Man: Homecoming, including foley for the new spider-suit’s drone, sneaky spidey footfalls and movement and jet turbines for the roar of the vulture’s engines.
Profiling field recordist Paul Virostek
Excited about Creative Field Recording
