A team of visual effects houses, led by DNEG, created 4,000 shots, complete with new worlds, the mysterious Vault artifact, and the enormous Invictus ship, in David Goyer’s expansive and enthralling new series, based on the famed author’s seminal sci-fi book series, now streaming.
Who’s not thrilled to hear once again the fateful phrase, ‘Danger Will Robinson… Danger’ as the third and final season of the reimagined 1965 Irwin Allen sci-fi classic is soon in hand; Netflix launches the space opera’s concluding episodes December 1.
Big rocks, wrecked ships, and at least one unfortunate person careen through space in the streamer’s first official glimpse of their acclaimed sci-fi series’ third and final season, premiering December 1.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Exclusive presentations from ILM, DNeg, Important Lookin Pirates, and more, to cover Clarisse 3.5’s wide range of improvements including a new set of innovative and creative features focused on layout, scene assembly, look development, lighting and rendering.
Team of 20 artists employs Autodesk 3ds Max and Maya to create CG environments and effects, including period-era technology reminiscent of 1960s Russian and NASA space programs.
ILP, Scandinavia's largest visual effects and digital animation studio, meets demanding production schedules with help from Avere FXT Edge filers and cloud bursting technology.
Forty-five short film projects in nine categories are selected from a pool of more than 1,000 submissions to the animago AWARD & CONFERENCE running October 15 & 16, 2015.
