Blur Studio Taps V-Ray for Netflix’s New NSFW ‘Love, Death & Robots’ Short Film Anthology
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Netflix sets March 15 as launch date for ‘Love Death + Robots,’ 185 minutes of startlingly dynamic animation not for the viscerally challenged!
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell converge in an 185-minute genre orgy of *NSFM* (not suitable for mainstream) shorts.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Former Digital Domain chief creative officer to oversee Industrial Light & Magic’s Vancouver facility, supervising effects work and providing creative oversight across all of the studio’s projects.
Set around the Mexican holiday Day of the Dead, Jorge Gutierrez’ animated feature, ‘The Book of Life,’ makes a third place debut, trailing behind Brad Pitt’s ‘Fury’ and David Fincher’s ‘Gone Girl.’
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
David Fincher's Gone Girl easily remains at number one in its second weekend at the North American box office, trumping new entries with $26.8 million; Universal and Legendary Pictures' Dracula Untold comes in second place with $23.5 million.
David Fincher's adaptation of Gillian Flynn's popular novel takes first place with $38 million, while the prequel to ‘The Conjuring’ is a very close second with $37.2 million.
Tight integration between Premiere Pro CC and After Effects CC allows multiple editors and VFX artists to work on the same project.