'Poser 7 Revealed': Simulate Cloth Dynamics
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock explores how to set and calculate cloth simulations.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock explores how to set and calculate cloth simulations.
Bill Desowitz gets an early peek at the new previsualization techniques developed by production designer Alex McDowell for DreamWorks' upcoming Bee Movie.
Bruce Shutan reports on how Beatles musical, Across the Universe, proved a psychedelic challenge for vfx artist Peter Crosman.
Previs continues to evolve as a 3D problem-solving tool, and Thomas J. McLean discovers some of the latest examples.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock shows how to load and save expressions in the Library.
In this month's edition of "The Digital Eye," Previs Supervisor Rpin Suwannath provides an exclusive sneak peek of The Chronicles of Narnia: Prince Caspian.
Taylor Jessen reviews five short films -- Carnival of Animals by Michaela Pavlatova, Battle of the Album Covers by Rohitash Rao, guy101 by Ian W. Gouldstone, Look for Me by Laura Heit and My Love by Alexander Petrov.
Craig J. Clark talks with Michael Davis on how he turned his Shoot 'Em Up script into a directing gig with animatics.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock shows how to load and save expressions in the Library.
Greg Singer muses on the contribution of the animation community in promoting themes of peace and cooperation, as exemplified in films such as Azur and Asmar, The Iron Giant and the Hiroshima International Animation Festival.
J. Paul Peszko looks into how hybrid workflows are opening up new doors to filmmakers and expanding their creative control.
Jennifer Champagne snatches a peek behind-the-scenes of The Invasion, chatting with the vfx wizards that re-imagined this classic tale with modern visual effects.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock teaches Poser users how to create a face using photographs.
Bill Desowitz offers some highlights from last week's SIGGRAPH 2007 in San Diego, and chats with three leading figures: Doug Chiang, Joe Letteri and Kim Libreri.
Laurent Alquier took in all the wonders of SIGGRAPH 2007's Electronic Theater and Computer Animation Festival, finding a wide spectrum to the reality of CG.
Eric Post and Dee-Marie ventured to SIGGRAPH's first iron animator competition, FJORG! Having survived, they fill us in on all the Viking escapades.
Alain Bielik is transported to the land of Stormhold and discovers how the vfx wizards conjured up the world of Stardust.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock discusses the creation of advanced materials.
J. Paul Peszko speaks with John Sibert, SIGGRAPH 2007 co-chair of Emerging Technologies, about this year's focus on display technology.
In this month's edition of "The Digital Eye," Massive Software ceo Diane Holland describes in more detail the breaking news about Massive at SIGGRAPH 2007.
Bruce Shutan talks with veteran vfx supervisor Hoyt Yeatman on teaming with Cinesite, Framestore-CFC and Realscan 3D to present a photorealistic portrait of Underdog.
Alain Bielik returns to discover some of the vfx secrets provided by MPC, ILM, Framestore CFC, Cinesite and Rising Sun Pictures on Harry Potter and the Order of the Phoenix.
Double Negative takes the vfx lead for the first time on Harry Potter and the Order of the Phoenix, and Alain Bielik is back to reveal the secrets.
Tara DiLullo Bennett talks to production designers and art directors for three of the summer's biggest blockbusters, Ratatouille, Pirates of the Caribbean: At Worlds' End and Transformers about the role of concept art in their productions.