ANIMA BRUSSELS 2009 February 20 – 28; A Festival Close to Home and Heart
I have written about the Art Institute at Bournemouth and their exceptional animation program before. Peter Parr, Reader in Animation and his colleagues consistently produce award winning students who find good places in the animation industry when they graduate. Peter and his colleagues have plenty to be proud of this year.
Graduates Geoff King and Beth Witchells took home multiple honors for The Great Race, winning The Royal Television Society Award and a £500 award at Animated Exeter. Richard Williams presented them with his DVD Animator’s Survival Kit as their award at Animated Encounters.
Fish by Dennis Constantinou and Chara Sottou picked up the Best Student 2D Animation Award at Animex and was also a Royal Television Award nominee. IO, created by Alex Wad, Robert Nelson, and James Swindells was also nominated for the Royal Television Society Awards where it was gained a Special Jury Mention.
When Simon Taylor, a young British animator, first told me about the Online Animation Mentor Program I was anxious to learn how it worked first hand. For the last few months I have followed Simon's progress. As he told me more and more about the program I realized that many of you might not be aware of this on-line opportunity and so I have asked Simon to write about his adventure. Whenever Simon feels that he has something to say and has the time, more installments of his adventure will appear here.
Good morning, afternoon and evening fellow wanderers of the Internet. My name is Simon Taylor, I'm an animation student and I've been invited by Nancy to share with you my experiences at the online animation school Animation Mentor. Just to give as brief an intro as possible about myself, I've been animating in one shape or form since a very early age. From 2001 to 2006, I was entering films into the Co?Op Young Film?Makers Festivals, which really gave me the enthusiasm to keep pushing myself to get better and is how I came into contact with Nancy.
The institute Design of Lucerne University of Applied Sciences and Arts will organise the first Lucerne International Animation Academy from the 8–12 of December 2009. The goal of this Symposium is to encourage a theoretical debate about current and historical questions of animation as an independent form of the “Moving Picture Production” in Switzerland.
Nik and I just received word that German Director Andy Kaiser's animated film, FRIENDLY FIRE has been accepted for the TRICKFILM FESTIVAL, May 5 through 10 in Stuttgart, Germany. This is a major festival and we are very excited. Nik created the music and we send congratulations to Andy, Cadi Catlow, and all of the other people involved in this wonderful film about the horrors of war. If you are planning on attending the Festival be sure not to miss FRIENDLY FIRE.
I always look forward to ANIMA BRUSSELS , not just because it is in Brussels which is only a 30 minute train ride from my home in Gent, but because it is a wonderful opportunity to see a wide array of animation. The Festival, housed in the beautiful Art Deco Flagey building, takes place February 20 through the 28th, Carnival week vacation in the city, and features programs for all ages.From Hayao Miyazaki’s new masterpiece, Ponyo on the Cliff by the Sea, which I was lucky enough to see earlier this year to a tribute to American film maker Ralph Bakshi there will be something for everyone at ANIMA BRUSSELS. Bakshi created the first X rated animated film with his 1972 adaptation of R. Crumb’s emblematic underground comic strip Fritz the Cat.
Riga, Latvia is one of my favorite cities. The Daugava River running through the center of the city before it reaches the Baltic Sea makes it a wonderful city to walk through. Riga is a historians delight, full of architecture that reflects the diversity of cultures, from the 12th Century German conquest and art nouveau delights to 1991, when the country won independence from the former Soviet Union. The architecture of the Soviet period is still interesting to give you a feel of how the city was when it was still part of the Soviet Block.
Sergei Eisenstein was born in Riga and his father, a famous architect, designed many of the beautiful art nouveau buildings. The city reminds me very much of St. Petersburg. It has the same beautiful yellow and rose hues of paint and when the sun light hits at the right angle the city glows – sort of like those evenings in San Francisco when the sunset hits the windows of the buildings and they glow golden.
MONSTRA ANIMATION FESTIVAL in Lisbon, Portugal is an event that Nik and I always look forward to. This year the festival has moved dates from mid-May to the 9th through 15th of March.
The 2009 competition is open to feature films completed after January 1,2007 and student works made after January 1, 2008.
The festival treats work with the utmost respect and screening at the lovely, modern theatre are of the highest quality. Nik and I have been invited to be guests at the festival again this year and I can whole heartedly encourage all feature film makers and those with student works fitting the qualifications to enter their film.
You can contact the festival for complete regulations and an application at: festival@monstrafestival.com(link sends e-mail).
The deadline for submission is January 15, 2009. They accept DVD, VHS or mini-DV for selection purposes.
In 2008 Nik and I were guests at the 15th International Trickfilm Festival in Stuttgart. We were invited to give a presentation of music for animation and Nik played on the big outdoor stage before SITA SINGS THE BLUES was screened as well as in the festival cafe.
I would encourage everyone to enter their film in this festival. Your work will be treated with respect and if you are lucky enough to be able to attend you will be treated to lovely hospitality by a friendly, hard working staff. You can also refer back to my article posted earlier this year for more details of our visit and some festival photos.
Just as an aside, the Stuttgart Festival staff throw one of the best parties at the Annecy Animation Festival which you can read about in my article about that festival.
The beautiful mountain town of Monodendri, Ioannina, Greece was the perfect setting for the 2nd annual Animart. From July 13 through the 20th, 54 college age students and 6 professionals from the world of animation gathered in the picturesque village for workshops ranging from clay animation, hand drawn cartoon animation and Maya to sound design and composing music for animation. Vassilis Boutos, director of the European Animation Center, is the organizer and energy behind Animart.
Students from three different South Eastern European countries completed very creative films. Participants were not required to have any prior animation experiences, but with a combination of excellent instructors and some hard work by the students, everyone had a sense of accomplishment at the end of the week.
I arrived back home after a week at the ARSENALS Film Festival in Riga, Latvia followed by another week teaching in Luzerne, Switzerland to find e-mails from Adam Elliott and Melonie Coombs, Karl Cohen, and Merlin Crossingham. All of them had exciting news that I want to share with my readers so please read the three new articles and enjoy.
While post production continues, viewers around the world are getting a seek
preview of the new feature film clay animation production from the Academy
Award winning team behind HARVIE KRUMPET. MARY AND MAX has been made in
Melbourne Australia, filmed over 57 weeks. The large team of set and model
builders, armature designers and sculptors have build over 1500 sets, props
and characters and now with actual production complete Writer, Director and
Designer Adam Elliot is welcoming the opportunity to share with you a sneak
peek at the world of MARY AND MAX.The website features the story synopsis and character outlines, as well as
images from the film. The site also features links to all our partners and
details on our cast and crew. Also for fans of stop motion animation there
is a wealth of behind the scenes details including "Making of Mary and Max
and webisodes "that reveal the ugly truth" about the production, as well as a
news and comments page for your thoughts and of course a shop!